Thursday, July 7, 2022

Christmas Joy In Fire-Swept Chicago, 1871

Print by Currier and Ives; the view faces northeast across
the Randolf St. Bridge.

        The evening worship at the West Side Church had drawn to a close on that fateful day in the history of Chicago, Oct. 8,1871. The preacher had spoken to his audience of the instability and inadequacy of earthly possessions as sources of enduring happiness, and counseled them to seek it rather in cheerful work, unselfish love, and trust in the divine ordering of their lives. Little did he or his hearers dream how close at hand was the experience which was to justify his teaching. As minister and people left the church the fire-bells sounded an alarm, the heavens were red with flame and the streets filled with a wild rush of people. One of the most disastrous conflagrations of modern times had begun its devastating work. For months past the Northwest had experienced an excessively dry season, with only a quarter of its usual rainfall. The great and sprawling city, built chiefly of wood, and the enormous lumber piles in the western addition were like tinder which a spark might ignite. The overturning of a lamp by the kick of a willful cow in Widow O'Leary's shed - so runs the local tradition - sufficed to bring on the terrible calamity. All night the fire raged and nearly all next day, crossing the river, leaping with tongues of flame over whole blocks of buildings, and with incredible rapidity converting nearly all the public edifices, railway stations, churches, hotels, banks and warehouses of the city, together with their contents, into dust and ashes. Thousands of homes, of the rich as well as the poor, were burned to the ground. Seventeen thousand buildings in all, covering an area four miles long by one and a half wide, and two hundred millions of property were destroyed. A hundred thousand people, many of whom lost all their earthly possessions, were driven into the streets, while over two hundred lost their lives. By blowing up with gunpowder rows of wooden houses, the fire was finally stayed on the south side of the city, and exhausted itself on the north by burning up all there was to feed it. The west side was saved by the direction of the wind. Eastward, Lake Michigan extended, and standing for hours in its waters, thousands found protection from the intense heat and flying sparks and cinders. It was an awful experience for those who passed through it, and impressively taught the folly of setting one's heart on earthly treasures that perish.
       The young minister, he was in his twenty seventh year and serving his first parish, turned anxiously homeward that eventful night, whose calamitous character he did not as yet realize. He was excessively tired. It had been his third preaching service that Sunday. In the morning he had conducted the worship for his own congregation, a missionary undertaking on the south side of the city. In the afternoon he had preached in the suburb of Hyde Park to a newly gathered flock. This involved buggy-rides of ten miles across the prairie. And now in the evening, in the absence of its pastor, he had ministered to the society on the west side of the city. As he jolted homewards wearily in the crowded horse-car, the incessant clanging of the fire-bells, the clatter of hurrying fire engines and the rush of people speeding to the conflagration gave increasing evidence of the gravity of the impending disaster. Throwing himself, on his arrival at home, exhausted on his bed, he found sleep impossible. The glare of the fire, the shouting and running without, anxiety for his brother, a young engineer, who had gone into the heart of the city to help save the records and papers of the railroad of which he was an employee, soon drove the minister out into the streets, and made him an awestruck witness, and, so far as he could be, a fighter of the fire. It was a fearful, never-to-be-forgotten spectacle to see high structures, loaded to the roof with valuable merchandise, come crashing down to the trembling ground; to behold soaring church-spires wreathed in flame, totter and fall in crumbling ruin; whole rows of handsome residences converted in an instant into a seething furnace; to breathe the hot air filled with flying cinders and choking dust, and to note, amid the din of falling buildings, the howling hurricane of the wind and the crackle and roar of the flames, the impressive silence of the people, fleeing in multitudes from the fury of the elements, or struggling in groups to arrest the progress of the fire. 
       By command of the Mayor, an efficient leader, whole rows of dwellings were blown up and the progress of the flame on the south stayed. The minister's home and the homes of his parishioners were saved. But the business and professional activities of the latter were involved in the common ruin. His missing brother returned safely, though badly burned on face and hands. He had succeeded, almost single-handed, in saving the valuable papers in the office of the company, loading them into a train of freight cars to be hauled out of the fire-zone. But when he came out of the burning building with the last armful of valuables the train had sped on without him, and he had to seek the waters of the lake for safety. Here, alternately chilled and burned, he fought off the flames for hours until at length, with dawning day, he contrived, with others, to reach and crawl along the narrow stone and timber breakwater which stretched for miles along the Lake Front, and which now furnished their way of escape. 
       The next days and weeks brought many opportunities for service to the minister. After assuring himself as well as he could in the general confusion which prevailed that the members of his own society were safe and did not require his ministrations, his thoughts went out to others dear to him, especially to his fatherly friend and elder brother in the faith, Rev. Robert Collyer, the poet-preacher of Unity Church, on the north side. His splendid new church, only recently erected, lay in ruins, his home and the homes of his parishioners were destroyed, and he himself and his family were fugitives. But where they had found shelter no one was able to tell. 
       In response to the piteous appeal of a hundred thousand unsheltered, hungering people, there now arose throughout the nation and the world a movement of human sympathy and charitable relief such as never before had been known in the annals of mankind, making the page of history to shine with its record of goodwill and generosity. Millions of hearts were enlisted, millions of dollars raised, millions of gifts forwarded to feed the hungry, shelter the homeless, clothe the naked, and rebuild the stricken city. It is said that when subjected to intense heat the design and lettering of a worn and defaced coin will appear again on its surface. So in the furnace heats of that great affliction the pure gold of human nature, the divine image and superscription stamped upon it, oft hidden from sight by man's preoccupation with external and selfish concerns, came into beautiful relief, disclosing the intrinsic nobility of the human heart. And this nobility was displayed equally by those who gave and those who administered these gifts of love. 
       The first consignment of food for the hungering multitude came from Detroit and intervening Michigan communities. At early dawn on Tuesday morning a party of prominent Chicagoans, Marshall Field, George M. Pullman, Wirt Dexter, Edson Keith, Mayor Mason, Murry Nelson, William H. Doggett, C. H. S. Mixer, Byron P. Moulton - to mention only those whom the writer recalls - together with two or three clergymen, Revs. Robert Laird Collier, William H. Ryder, and the one who tells this story, assembled at a local freight station on 6th Street to unload a train of freight cars, which had just rolled in from Michigan, filled with provisions for the sufferers. The city having been declared under martial law, Mayor Mason had commandeered a number of covered wagons which were backed up against the high platform. Barrels of crackers, cheeses, cooked hams, loaves of bread fresh from the farmers' ovens, cans of milk, and many other supplies were unloaded by this group of serious and hardworking men who, neglecting their own pressing affairs, toiled in the chill air that gray morning for their impoverished and suffering brothers. When the first wagon had been sufficiently filled with supplies, Dr. Laird Collier, pastor of the First Unitarian Church, took a seat beside its driver, declaring that he wanted the honor of dispensing the first load of provisions to the hungry people. Desiring to share in that privilege, the present writer leaped in behind, found a seat on a cheese-box, and they drove away on their errand of mercy. It was a long, hard journey over the rough streets, filled with debris, to the West Side, and thence northward, until they reached the sole remaining bridge that gave access to the stricken north division of the city. At length the wagon drove up to its destination, Dearborn Park, around which were grouped the ruins of Unity Church, the New England Church, and the Roman Catholic Church of the Holy Name, and the Ogden home, the single surviving house which, though of wood, by a combination of circumstances had escaped the flames. Here was encountered a swarming multitude of unhoused and hungry people, who had returned from their flight to seek food and shelter, and in many cases also for members of their family from whom they had been separated in that wild night of disaster. To justly distribute the supplies to the horde of eager applicants that gathered round them was no easy matter. They were asked in their own interest to assist the committee. Out of the midst of the crowd two men came forward, the one a well known priest of the adjacent Catholic Church, the other the Rabbi of a Jewish congregation. With their help the task of distribution was made easier. It was delightful to see how in this hour of supreme need all sectarian differences were forgotten. The Priest held a ham from which the Rabbi cut slices for the hungry poor, quite unmindful of the Old Testament injunction against the forbidden swine's-flesh, while the Protestant ministers, dispensing the bread consecrated by human love to their needy brethren, felt that it was a sacramental act whose validity no one could impeach. Their common calamity and sorrow made them all one in faith, hope, and the charity that is greatest of all. It was a beautiful prophecy of the better time coming when religious men and women will rise above the differing intellectual opinions and ritual observances which now divide, and often embitter them, into the higher recognition of the common human interests of mankind; when all men shall be united into one great family, children of the All-Father.
       Inquiries were diligently made concerning the whereabouts of Robert Collyer, and it was learned that after battling hard, but in vain, to save his church, he had fled with his family to the house of friends, somewhere in the suburbs north of Chicago. 
        The next day, after a conference with the unselfish and good mother who was his housekeeper, companion and best friend, the young minister devised a plan to bring his friend, Robert Collyer, together with his family, to his own comfortable and commodious dwelling for such a stay as might seem best to them. How to reach and transport them and their necessary belongings was the next question. All interior lines of communication had been destroyed. Horses and teams were unobtainable except at fabulous prices. But good will found a way. Far on the prairie a neighbor had turned out an aged horse to rest and die. Another neighbor had a creaking, dilapidated buggy and a set of harness that might be patched up with rope ends for temporary service. The minister walked out to the pasture early in the morning, and contrived to approach the venerable steed, slip a halter over his neck and bring him triumphantly home. He was harnessed into the ramshackle old buggy, whose springs sagged and bumped portentously, and the journey was begun. On the way the minister stopped at the First Church to inform its pastor. Rev. R. Laird Collier, of his purpose, and ask if any more recent news had reached him concerning their fellow clergyman. The First Church presented that morning a novel and gratifying spectacle. Like other remaining public buildings it was in use as a refuge for the homeless people. Its pews were converted into beds. Here hundreds found protection from the cold night air. In the basement food was provided for them. Dr. Collier, with a committee of citizens, was already engaged in the work of relieving the distressed in which he rendered admirable service during the hard winter that followed. Impulsive as he was he at once volunteered to go with his young brother on the search for Robert Collyer. It was a slow and wearisome journey. The decrepit and stiff-legged old horse, the crowded thoroughfares, the repeated and often fruitless inquiries, made it late in the day when at last the modest cottage was reached where their friends had found shelter. As they entered, Robert Collyer, with face and eyes inflamed from his brave fight with the fire, came forward in amazement and joy to meet them. Falling upon their necks, he sobbed: "God bless you, brethren, for coming! My beautiful church, the delight of my eyes, is gone. My dear people are scattered, I know not where!" They strove to comfort and reassure him. Seeing in a corner a small pile of Mr. Collyer's manuscript sermons which a young parishioner had rescued from his study at the last moment, the younger minister said sorrowfully: "To think of all your fine sermons that have gone up in flame!" "Never mind about them, laddie," was the cheery reply. "I've got the place left where they came from, and with God's help there'll be many more!" And there were. 
       After a conference together, it was arranged that for the time being Collyer and his wife and the children should make the house of his young colleague their home. Mrs. Collyer, and a younger daughter, with a trunk full of necessaries, so weighed down the conveyance that brother Laird had to walk home. The rest of the Collyer family followed the next day. The poor exhausted nag contrived to crawl late that evening to the door of the young minister's house; the last service he rendered on earth, and a noble one.    
       There was great jubilation next day when the reunited family met once more in their new ark of safety. Robert Collyer's heart was cheered by letters and telegrams from friends and reassuring visits from his parishioners. One generous layman in Boston, Hon. William Gray, assumed his entire salary for the coming year, that he might be free to devote all his powers to his church and city. 
       The next Sunday morning the scattered members of Unity Church met in the ruins of their temple for reunion and worship. Standing within its roofless nave and blackened walls, their pastor voiced their sorrow, and cheered their hearts by foretelling the speedy restoration of their church home. His young brother met his own congregation, and preached to them on the text, "The Voice of the Eternal Crieth Unto the City," - enforcing the lessons of the fire. For the remainder of that bleak winter the two ministers and their congregations, uniting with their Universalist friends, held joint services in Murray Chapel, the pretty edifice of the latter. 
        More and more the young minister's home, happily spared for such service, became a centre of hospitalities and relief operations. Hither came many guests, but none more welcome than Edward Everett Hale, inspirer and helper of men. It was he who, when the citizens of Boston met in historic Faneuil Hall to consider the sending of relief to stricken Chicago, leaped on the platform, and in an address of wonderful power and pathos moved all hearts and assured a generous response to the appeal. Ten days after the great fire, a group of earnest men, representative citizens of Chicago, assembled in the minister's study to meet a committee sent out by the Boston Young Men's Christian Union to ascertain what service the latter might render the stricken city. The committee was headed by the public-spirited and energetic president of the Union, William H. Baldwin, whom Phillips Brooks once called "Boston's most useful citizen." After looking over the field the committee came to the conclusion that the speedy rebuilding of Chicago in even greater splendor was assured, and that the physical wants of the burnt-out families would be amply met by the world's bounty. It was the educational, social, and religious needs of the young community which most called for attention and help. The committee therefore advised that, as one step in this direction, a Young Men's Christian Union be organized in Chicago, modeled after the Boston Union, to care for the thousands of young men, clerks, book-keepers, students, mechanics and apprentices, whom the fire had deprived of their home associations and social and educational resources. Such a place of evening resort, recreation, and self-improvement was urgently needed. Mr. Baldwin promised that the Boston Society would aid in fostering such an enterprise in Chicago, and would make it the agency for distributing the large benevolences which they had in mind for Chicago during the coming winter. The present meeting had been called to consider and act upon this suggestion.
       It was an interesting and striking occasion. The room in which they met was dimly lighted with tallow candles set in high-necked bottles, the City gas supply not yet having been restored. The only refreshment was Lake Michigan water, brought from the lake-side that afternoon in a wash-boiler by the minister and his brother, the City Water Works being still out of commission. But the spirit of the meeting was effervescent, and the discussion by Revs. Robert Collyer and R. Laird Collier, and David Gage, Eli Bates, B. P. Moulton, and others of Chicago, was sufficiently illuminating. It was decided unanimously to inaugurate such a movement. The young minister, who had been an active member of the Boston Union in his earlier days, was chosen as its Secretary, and, as far as his church duties would permit, its organizer. His house was made the temporary headquarters of the movement. Dr. E. E. Hale's famous dictum, which, he once told the writer, was simply Paul's word "Faith, hope and charity" transposed into the modern vernacular, was adopted as the motto of the Chicago Union:
  
  "Look up, and not down.
 Look out, and not in,
 Look forward, and not back,
 And lend a hand." 

        Thus humbly began an unsectarian philanthropy which for forty years and more occupied an honorable place in the educational and religious life of the great western metropolis.  In its study classes and lectures, its gymnasium and clubs, tens of thousands of young people - for its scope was soon enlarged by admitting young women also to its membership - have found educational and social opportunities. Under the name which, with no advantage to its work, it later assumed. The Chicago Atheneum, it still carries on the tradition of its earlier years. And now, in fulfillment of its promise, many boxes, barrels and bales containing clothing, bedding and hospital supplies, began to arrive from the Boston Young Men's Christian Union. Dumped in solid rows around the minister's house, they soon compelled him to secure more suitable quarters for their storage and distribution. Committees of benevolently disposed men and women were organized to superintend the latter, and toiled unselfishly and hard all winter. In all over one thousand boxes and bales, containing over 150,000 counted articles forwarded by the Boston Union, were efficiently handled by its sister society in Chicago, and relieved the immediate necessities of more than 10,000 needy persons. It would be pleasant to narrate some of the interesting and moving incidents of this benevolent activity, which relieved with touches of human kindness the bitter cold and misery of that bleak winter, the appalling spectacle of the ruined and desolate city, dimly lighted and deserted at night, and chaotic with noise and confusion by day, as slowly but surely Chicago arose in new solidity and beauty. 
       But we must confine ourselves to the most delightful episode of it all. In November there came to the minister's house a party consisting of Revs. S. H. Winkley and Henry W. Foote, and Messrs. William H. Baldwin and H. H. Sprague of Boston. Before they departed they asked their host to name some one thing that they might recommend on their return to the children of their Sunday schools as their special work for the destitute children of Chicago. This gave the minister the opportunity he had been longing for to assure a happy Christmas to the desolated homes of the poor of the city. He asked them to send the Chicago Christian Union gifts suitable for a Christmas distribution to the destitute children of the city, without regard to creed, sect or nationality. 
        Immediately on their return the Boston committee set about the matter. Appeals were made to New England pastors and parishes, circulars were sent out, the newspapers enlisted - Gail Hamilton, editor of Our Young Folks, making an especially effective plea - the children were set at work, and soon the result became apparent in a steady stream of gifts that filled to overflowing the parlors of the Boston Young Men's Christian Union, which had offered to pack and forward the contributions. The appeal antedated the Christmas festival by so few weeks that there was hardly time for it to be generally known and acted upon. Yet the response was most gratifying, far exceeding anticipations. Over sixty cases in all were sent to the Chicago Union, often accompanied by letters whose graciousness made the gifts still more acceptable. Some seventy Sunday schools, nearly all of Unitarian Church connection, and many individual givers, contributed to make this result possible. 
        In the meantime the Chicago Society prepared for the work of distributing the gifts. Day after day the Christmas boxes arrived, to be eagerly opened and delightedly examined by the committee of ladies, belonging to different denominations, including the Roman Catholic and Jewish, who were charged with their distribution. The writer recalls Madam Jane S. Wendte, Mesdames David A. Gage, George M. Pullman, Henry Booth, Oscar Safford and C. A. Staples, and the Misses Roberts, Lunt, Agnew, Annie Laurie, and last, but not least, Miss Jessie Bross, afterwards Mrs. Henry D. Lloyd. The contents of the boxes were sorted and piled up around the walls and stacked in the center of the Union parlors until the latter looked like a big toy shop. Every token of affectionate remembrance suitable for Christmas was represented. Books for juveniles and older people, dolls in myriads, fancy boxes, games in profusion, savings banks, toys in endless variety, Noah's arks, baby houses, toy dishes, drums, trumpets, pocket- books, ornaments, clothing - it is impossible to tell here all the potential joy for childhood that was contained in the 10,000 or more articles which had been sent by the kindhearted boys and girls of New England to their little brothers and sisters in fire-stricken Chicago. 
        Invitations were issued to the officers of Sunday schools which had been victims of the fire to hand in lists of their children, together with their ages, in order that suitable presents might be selected for them, and they were asked to call and obtain their allotment for distribution at their own school festivals. They were not slow in responding, and many a grateful word was spoken by pastors and superintendents in recognition of the Christ-like spirit which had prompted all this holiday giving. Presbyterian and Methodist, Unitarian and Universalist, Congregational and Baptist, Lutheran and Episcopal, Colored, Swedish and German schools, orphan asylums, and Catholic and Jewish families shared in this Christmas beneficence, which gave to eight thousand children in Chicago a Happy Christmas, and transformed what would have been to many a dreary anniversary into a festival of light and joy. 
        But why must we wait for such great calamities to teach us the blessedness of giving? Why should not every day be Christmas day in our homes and hearts? That is the theme of the little carol which is printed beneath this account of happy days and doings in the midst of devastation and misery nearly fifty years ago. Let us take its lesson to heart, and thus display the spirit of him whose birthday we celebrate at Christmas, and who told us: "By this shall all men know that ye are my disciples, if ye have love one to another." C.W.Wendte


The Fire Begins: Above and Investigating the Cause of the Fire,

Christmas In Chicago Now:

Sunday, July 3, 2022

Brook Benton sings "This Time of Year"

       Benjamin Franklin Peay (September 19, 1931 – April 9, 1988), better known as Brook Benton, was an American singer and songwriter who was popular with rock and rollrhythm and blues, and pop music audiences during the late 1950s and early 1960s, with hits such as "It's Just a Matter of Time" and "Endlessly", many of which he co-wrote.

From 1959, Brook Benton sings "This Time of Year"

This Time of Year (lyrics) 

Written by Brook Benton and copyrighted

Little girls and little boys,
 Dream of worlds full of toys,
 This time of the year,
 When Christmas is near.

 Evergreens are snowy white,
 Sleigh bells ring through the night,
 This time of the year,
 When Christmas is near.

 And somewhere near a steeple,
 People kneel and pray,
 And choirs sing,
 Carols of Christmas day.

 Santa Claus is on his way,
 Loads of joy, on his sleigh,
 This time of the year,
 When Christmas is near.

 Hear the sleigh bells,
 Hear the sleigh bells,
 Hear the sleigh bells, ring.

Monday, February 7, 2022

Stamped Clay Ornaments

The finished oven-bake clay ornaments are painted simply. My daughter pressed a small twig
from a fir tree into the bauble shaped ornaments along with letter stamps.

       My eldest daughter made these merry little clay ornaments for family and friends this year! Each features the first initial of the recipient and will be tied with a bow on the packages she gives this coming Christmas holiday.

Supplies Needed:

  • Sculpey oven bake clay, white
  • cookie cutters
  • letter stamps
  • decorative plant stamps
  • green and white acrylic paints
  • clear coat acrylic sealer or Mod Podge
  • twin for hangers
  • a glass jar for rolling out the clay
  • fir tree branch for pressing into clay (optional)

Step-by-Step Directions:

  1. Select your favorite cookie cutter for this Christmas ornament craft. It is best to choose something simple that won't include fragile extensions that may break off with rough handling. Our versions are made with three cookie cutters: a house, a sunny star and a Christmas bauble shape.
  2. Roll out the oven bake clay to approximately 1/4" and stamp with the cookie cutters.
  3. Use a toothpick to make a hole wherever you would like to loop twine through in order to hang the handmade ornament.
  4. Use rubber stamps to make words or images by pressing these into the unbaked clay.
  5. Bake the clay in the oven at the temperature recommended on the package of the craft material you are using.
  6. Let the ornaments cool before painting these as you choose.
  7. My daughter used green to pool the paint in the areas pressed out with the rubber stamps.
  8. Seal the painted surface with an acrylic spray or Mod Podge.
Left, the cookie cutters and rubber stamps my daughter used to make her ornaments. 
Right, here you can see that she lined up her unbaked ornaments in a glass cooking 
dish for baking. These are the safest dishes to use when working with clay because 
the residue from the plasticine washes off of glass easily.

Left, are the tiny letter stamps she used to press "God With Us" into the house ornaments.
Right, she included the word "Emmanuel" on a clay tag strung onto the house as well. 
See also the partridge in a pear tree pressed into the star ornament and painted green.

Tuesday, December 14, 2021

Christ the Light of the World.

        In the Oriental Church they have a service called the "Feast of Lights." It is held at night, because, when Christ came the world spiritually was in darkness. The whole church is filled with people who come there with unlighted tapers in their hands. Each taper signifies the human soul without Christ. Some of the clergy represent the Twelve Apostles, and as soon as each Apostle receives a taper, he lights it from a central taper on the altar and communicates the light to another and another and another. Soon the whole church is filled with a sea of glittering lights, all coming from the central one, and yet no man has lost anything by giving to his neighbor.

Saturday, December 11, 2021

"Oh Come All Ye Faithful" Carol

Illustrated sheet music of "O Come All Ye Faithful," CC.
        "O Come, All Ye Faithful" (originally written in Latin as "Adeste Fideles") is a Christmas carol that has been attributed to various authors, including John Francis Wade (1711–1786), John Reading (1645–1692), King John IV of Portugal (1604–1656), and anonymous Cistercian monks. The earliest printed version is in a book published by Wade. A manuscript by Wade, dating to 1751, is held by Stonyhurst College in Lancashire.
       The text has been translated innumerable times into English. The most common version today is a combination of one of Frederick Oakeley's translations of the original four verses, and William Thomas Brooke's translation of the three additional verses. It was first published in Murray's Hymnal in 1852. Oakeley originally titled the song "Ye Faithful, approach ye" when it was sung at his Margaret Chapel in Marylebone (London), before it was altered to its current form. The song was sometimes referred to as the "Portuguese Hymn" after the Duke of Leeds, in 1795, heard a version of it sung at the Portuguese embassy in London. McKim and Randell nonetheless argue for Wade's authorship of the version people are now familiar with.), as does Bennett Zon in what may be the only article in a scholarly journal on the question (though Zon thinks it equally plausible that the author was someone else known to Wade).


Carrie Underwood sings "O Come All Ye Faithful"

Glad Christmas Bells

Illustrated sheet music of "Glad Christmas Bells", CC.

Glad Christmas Bells from 1881

Glad Christmas bells, your music tells
The sweet and pleasant story;
How came to earth, in lowly birth,
The Lord of life and glory.

No palace hall its ceiling tall
His kingly head spread over,
There only stood a stable rude
The heavenly Babe to cover.

No raiment gay, as there He lay,
Adorned the infant Stranger;
Poor, humble Child of mother mild,
She laid Him in a manger.

But from afar, a splendid star
The wise men westward turning;
The livelong night saw pure and bright,
Above His birth place burning.



''Glad Christmas Bells'' on the piano.

Wednesday, December 8, 2021

Merry Christmas

MERRY CHRISTMAS
by Hannah More Kohaus


Welcome! merry Christmas morn,
Happy day when Christ was born;
When I bend my knee to pray,
I will thank God for this day.

What a precious Christmas gift,
From the mother's knee they lift,
When the wise men from afar,
Found Him by the guiding star.

"Christmas gift!" He says to all
Who are listening to His call,
"What have you to give to me?
I will give my life for thee."

But He's 'way up in the sky,
And we cannot reach so high;
So we'll give His children dear,
Gifts, for they are ever near.

Christ's Pilgrimage

 CHRIST'S PILGRIMAGE
 by Hannah More Kohaus


God's messengers bore to earth one day
A spirit divine, enrobed in clay,
To be mankind's redeemer for aye,
And the angels called Him Jesus.

A babe in a manger cradle lay,
His bed lined only with sweet, clean hay,
But round his head shone a kingly ray,
And the wise men called Him Holy.

A man walked forth on the busy street,
Shod with the gospel of love his feet,
Mercy-deeds dropping and thrilling words sweet,
And the children called Him Father.

A soul was cruelly nailed to a cross, -
A heavenly gain but an earthly loss ;
As death was tinged with a radiant gloss,
And the people called Him Savior.

The heavens opened its own to recall;
The spirit then breathing a blessing on all,
Re-entered with joy the celestial hall,
And Jehovah called Him " Beloved."

Friday, December 3, 2021

Sanctissima Carol

Click the download sheet music for "Sanctissima", CC.

       "O sanctissima" (O most holy) is a Roman Catholic hymn in Latin, seeking the prayers of the Blessed Virgin Mary, and often sung in various languages on her feast days. The earliest known publication was from London in 1792, presenting it as a traditional song from Sicily; but no original source or date has been confirmed for the simple melody or the poetic text. The tune is often called "Sicilian Mariners Hymn" or similar titles, referring to the seafarers' nightly invocation of Mary as their maternal protector: Our Lady, Star of the Sea. The tune has been notably reused for the German Christmas carol "O du fröhliche" (O, how joyful), the English recessional hymn "Lord, Dismiss Us With Thy Blessing", and the first half of the American civil rights anthem "We Shall Overcome".

       Similar Latin lyrics have been set to entirely different tunes since the 1500s, by notable composers and arrangers including Leonhard Kleber (probably editing another composer), Louis-Nicolas Clérambault, E.T.A. Hoffmann, Antonín Dvořák, and Fritz Kreisler (using a melody of Arcangelo Corelli).


O Thou Joyful Day (O Sanctissima) on the piano.

How to make a trimmed vintage pod ornament

Left, the backside of the pod decorated with gold glitter.
Right, the front side with gold braid, red velvet and a tiny plastic, trumpeting angel.

      I found this example of a milkweed pod ornament at a flee market a few years ago. These were very trendy back in the 1960s and 70s. You will need to gather a few pods, glitter, gold braid, velvet, cotton balls and tiny figures to make something similar for your own tree. Then it's just a matter of gluing everything in place. Use white school glue to apply an even layer to the backside of the pod before drizzling the pod with glitter. Let this dry. Then do the same with a bit of velvet for the inside of the pod and let the white glue harden again. Next, use a hot glue gun to stick on the gold trim, cotton batting for clouds and finally the tiny figure of an angel. You can find these figures at hobby shops during the holiday season.

More Milk Weed Pod Transformations:

A free pattern for a Chrismon Crown cross stitch...

A free cross stitch crown pattern for those
of you who enjoy needlework.
        For this crown cross stitch use five strongly contrasting colors of: wool, floss, embroidery silk, filoselle or crewel. Any one of these fibers may be handsomely commingled in a design of this kind. The squares marked alike are to be alike in color, and the colors may be whatever you choose. Although a Chrismon crown would be traditionally worked in gold, silver, white and or yellows. The design may also be embroidered on canvas of any variety, or on a cloth, felt, velvet, plush etc...

More Chrismon Cross Stitch Patterns:

The Coventry Carol

Click to download the largest available size. "The Coventry Carol" sheet music, CC.

       The "Coventry Carol" is an English Christmas carol dating from the 16th century. The carol was traditionally performed in Coventry in England as part of a mystery play called The Pageant of the Shearmen and Tailors. The play depicts the Christmas story from chapter two in the Gospel of Matthew: the carol itself refers to the Massacre of the Innocents, in which Herod ordered all male infants under the age of two in Bethlehem to be killed, and takes the form of a lullaby sung by mothers of the doomed children. 
       A variant of the carol was supposedly collected by folklorist John Jacob Niles in Gatlinburg, Tennessee, in June 1934 (from an "old lady with a gray hat", who according to Niles's notes insisted on remaining anonymous). Niles surmised that the carol had been transplanted from England via the shape note singing tradition, although this version of the carol has not been found elsewhere and there is reason to believe that Niles, a prolific composer, actually wrote it himself. Joel Cohen uncovered an early shape note choral song from the 18th century which also includes some of the lyrics to the Coventry Carol and has a tune at least marginally resembling Niles' variant. For this reason, Cohen argued that the Appalachian variant was likely to be authentic and that Crump et al. have been too quick to assume chicanery on Niles' part due to his proclivity for editing some of his collected material.

The Coventry Carol sung by 
Westminster Cathedral Choir

Monday, November 22, 2021

DIY Chalkboard Painted Ornaments

Wooden flat of a poinsettia, coated with black chalkboard
 paint and then chalkboard pencils used to add details.
       These rustic ornaments remind me of grade school days. Yes, I'm old enough to remember when chalkboards, which were green then, were still being used inside of classrooms! However, I'm not so old that the kids were using individual slates to copy sentences from a chalkboard. We copied our assignments using pencils and paper, wise guy...

Supply List:
  • black chalkboard spray paint
  • chalkboard markers or pencils in white and Christmas colors
  • acrylic adhesive spray paint
  • free patterns for wooden cutouts here
  • wooden flats from hobby store (optional)
Step-by-Step Instructions:
  1. You may either purchase wooden flats from a hobby store or cut them yourself in a shop using these free patterns here.
  2. Treat the wooden ornaments with black chalkboard paint. I think that spray paint gives the smoothest coat but you may have some of this paint already in a can and wish to use it instead.
  3. After the paint has dried completely, draw on the designs using a white outline from a chalk pencil.
  4. Then add a few color accents using red, pink, yellow or green chalk pencils or pens if you prefer.
  5. Spray the finished versions with acrylic sealer to keep the chalk drawings from smearing or fading. 
Left, a Christmas bell painted to look like a chalkboard.
Right, a rocking horse painted with chalkboard pencils too.
 
Left, old Santa with hat and Right, a traditional candy cane
both painted with chalkboard paint and then decorated using chalk pencils.

See Andrea Chebeleu paint chalkboard wood slice ornaments.

More Chalkboard Related Crafts:

Saturday, November 20, 2021

We Wish You A Merry Christmas!

Illustrated carol, "We Wish You a Merry Christmas", CC.
       "We Wish You a Merry Christmas" is a traditional English Christmas carol, listed as numbers 230 and 9681 in the Roud Folk Song Index. The famous version of the carol is from the English West Country.
       Many traditional versions of the song have been recorded, some of which replace the last line with "Good tidings for Christmas and a happy new year". In 1971, Roy Palmer recorded George Dunn of Quarry Bank, Staffordshire singing a version close to the famous one, which had a familiar version of the chorus, but used the song "Christmas is Coming" as the verses; this recording can be heard on the Vaughan Williams Memorial Library website. Amy Ford of Low Ham, Somerset sang a version called "The Singers Make Bold" to Bob and Jacqueline Patten in 1973 which again used a similar chorus to the famous version and can be heard via the British Library Sound Archive. There are several supposedly traditional recordings which follow the famous version exactly, but these are almost certainly derived from Arthur Warrell's arrangement.

Craft a kissing bauble for the tree...

Back and front of a finished kissing bauble on a white Christmas tree.

Supply List:

  • scrap Christmas novelty fabric
  • faux mistletoe
  • ribbon
  • pins or glue optional
  • Styrofoam ball or a recycled Christmas bauble
  • needle and thread to match
Step-by-Step Instructions:
  1. Place a bauble or Styrofoam ball in the center of your Christmas scrap fabric. Gather up all of the side at the top of the bauble to make sure that you a have plenty of fabric to cover the ball entirely. Wrap the threaded needle around the gathered fabric and then backstitch through all of it to hold the fabric firmly in place.
  2. Tie a ribbon around the top of the gathers, gluing it in place once you have the ribbon looking the way you prefer.
  3. Pin or glue the faux mistletoe in place and insert a wire hanger.
Why we kiss under the mistletoe.

Thursday, November 18, 2021

Craft Vintage Looking Candy Canes

Craft Crossed Candy Canes from Chenille Stems
The unusual diamond pattern shown above is achieved by twisting together pipe
 cleaners that are already dyed with candy cane stripes at the factory.
Supply List:
  • two red and two white chenille stems
  • one metallic green chenille stem
Directions:
  1. Twist together one red and one white chenille stem until the length of the stems look like candy canes. Repeat this step with a second red and white pair of chenille stem.
  2. Bend each candy striped stem into a shepherd's hook.
  3. Cross the to hooked canes and then twist the green metallic chenille stem around the two candy stems to form a bow.
More Candy Cane Goodies:

"Joy To The World!"

"Joy to the World!" illustrated vintage sheet music. CC.
       "Joy to the World" is a popular Christmas song. English minister Isaac Watts added the words to the song. As of the late 20th century, the song was the most published Christmas hymn in North America. The lyrics are based on Psalm 98, 96:11-12 and Genesis 3:17-18. The song was first published in Watts' collection The Psalms of David in 1719.
       The version of this hymn heard since 1848 is from an edition by Lowell Mason for The National Psalmist. It was his fourth revision of the tune he named ANTIOCH.
       A version from the Trinity Choir was very popular in 1911. Since then, the song has been recorded by a number of artists, including Johnny Cash, Mariah Carey, Pat Boone, Ella Fitzgerald, The Supremes and Nat King Cole.

Friday, November 5, 2021

Thomas Nast's "Christmas Drawings"

        "These Christmas drawings by Nast appeal to the sympathy of no particular religious denomination or political party, but to the universal delight in the happiest of holidays, consecrated by the loftiest associations and endeared by the tenderest domestic traditions. Christmas is the holiday of all; but it is especially the Children's day. The grotesque and airy fancies of childhood which cling about Santa Claus, as the good genius of Christmas, are reproduced here in delightfully imaginative reality by the artist, so that visitors here may feast of true Christmas cheer." 

Santa is caught bringing Christmas joy.

The table is set for a Christmas feast!

A little girl collects her Christmas toys to move to the nursery.

Nast drew a little boy crying outside a toy store window at sign.

More Illustrations from Thomas Nast: 

Thursday, October 28, 2021

The Doll's Letter to Santa Claus

 The Doll's Letter to Santa Claus by Ellen Manly

She hates to let you choose it
Because you are a man,
But maybe it will suit her
If you do the best you can.

We'd like a set of dishes-
Our old one's nearly gone;
Full half the plates are broken,
And all the cups but one.
The spoons have long been missing,
And all of us agree
That forks are not convenient
When one is sipping tea.

Please bring a little carriage,
Lucille Matilda begs;
She suffers from dyspepsia
Because of broken legs.
As walking's not much pleasure
She rarely ventures out,
And feels she'd soon be better
If she could drive about.

Almira wants a necklace,
And Rosalie, a dress;
An easy-chair for Hattie,
And this is all we guess-
Not all that we could think of,
But all we should expect,
And if you'll not forget us
We are
Yours with great respect,
Louisa Arabella.
Almira Henriette.
Lucille Matilda Frances.
Ann Rosalie Lisette.
Jane Hattie Angelina.
X Stands for Baby Blue.
Marie Roberta Sue.

P.S. Private:
The children played Cowboys and Indians
On last Thanksgiving night,
And Tommy Tucker scalped me,
And made me just a fright.
So if you could remember
A curly wig for me,
I'd be your ever grateful,
Devoted,
Susy Lee.

Wednesday, October 27, 2021

"I Saw Three Ships" Carol

Vintage sheet music of "I Saw Three Ships" lyrics included.
from the CC.
       The earliest printed version of "I Saw Three Ships" is from the 17th century, possibly Derbyshire, and was also published by William Sandys in 1833.
       The lyrics mention the ships sailing into Bethlehem, but the nearest body of water is the Dead Sea about 20 miles away. The reference to three ships is thought to originate in the three ships that bore the purported relics of the Biblical magi to Cologne Cathedral in the 12th century. Another possible reference is to Wenceslaus II, King of Bohemia, who bore a coat of arms "Azure three galleys argent". Another thought was the three kings that came to baby Jesus.
       An arrangement by Martin Shaw appears in The Oxford Book of Carols. The Carols for Choirs series of carol books features an arrangement of the carol by Sir David Willcocks. Organist Simon Preston and former conductor of the Choir of King's College, Cambridge, Sir Philip Ledger, have also written arrangements that the choir have performed at the Festival of Nine Lessons and Carols in recent years. This carol is also featured in the musical Caroline, or Change, but as a counterpoint. Adapted by Jon Schmidt on Jon Schmidt Christmas album. John Renbourn has arranged it (in a rather free adaptation) for guitar. The song appears on Nat King Cole's 1960 LP "The Magic Of Christmas" (l/k/a "The Christmas Song"), arranged by Ralph Carmichael. Progressive rock singer Jon Anderson released a version as the title track of his album 3 Ships in 1985. Sufjan Stevens recorded a version of the song in 4/4 time for his album Hark!: Songs for Christmas, Vol. II. Wikipedia

"Rare video featuring Marianne and The Chieftains 
performing the song 'I Saw Three Ships A Sailing'. From 
the Chieftains 1991 CD 'Bells Of Dublin'."

Tuesday, October 26, 2021

The "Jingle Bells" Carol

Vintage sheet music of "Jingle Bells" with lyrics, CC.
       "Jingle Bells" is one of the best-known and commonly sung American songs in the world. It was written by James Lord Pierpont (1822 -1893) and published under the title "The One Horse Open Sleigh" in the autumn of 1857. It has been claimed that it was originally written to be sung by a Sunday school choir, or as a drinking song. Although it has no original connection to Christmas, it became associated with Christmas music and the holiday season in the 1860s and 1870s, and it was featured in a variety of parlor song and college anthologies in the 1880s. It was first recorded in 1889 on an Edison cylinder; this recording, believed to be the first Christmas record, is lost, but an 1898 recording also from Edison Records survives.
       It is an unsettled question where and when Pierpont originally composed the song that would become known as "Jingle Bells". A plaque at 19 High Street in the center of Medford Square in Medford, Massachusetts, commemorates the "birthplace" of "Jingle Bells", and claims that Pierpont wrote the song there in 1850, at what was then the Simpson Tavern. Previous local history narratives claim the song was inspired by the town's popular sleigh races during the 19th century.
       "Jingle Bells" was originally copyrighted with the name "The One Horse Open Sleigh" on September 16, 1857. The song was first performed on 15 September 1857 at Ordway Hall in Boston by the minstrel performer Johnny Pell. Pierpont's lyrics are strikingly similar to lines from many other sleigh-riding songs that were popular at the time; researcher Kyna Hamill argued that this, along with his constant need for money, led him to compose and release the song solely as a financial enterprise: "Everything about the song is churned out and copied from other people and lines from other songs - there's nothing original about it."
       By the time the song was released and copyrighted, Pierpont had relocated to Savannah, Georgia to serve as organist and music director of that city's Unitarian Universalist Church, where his brother, Rev. John Pierpont Jr. served as Minister. In August 1857, Pierpont married Eliza Jane Purse, the daughter of the mayor of Savannah. Pierpont remained in Savannah and never went back North.
       The double-meaning of "upsot" was thought humorous, and a sleigh ride gave an unescorted couple a rare chance to be together, unchaperoned, in distant woods or fields, with all the opportunities that afforded. This "upset", a term Pierpont transposed to "upsot", became the climactic component of a sleigh-ride outing within the sleigh narrative.

"Jingle Bells" by Kimié Miner

I Heard the Bells on Christmas Day

Vintage illustration of the Christmas carol, "I Heard the Bells" with
lyrics, from the CC.

       "I Heard the Bells on Christmas Day" is a Christmas carol based on the 1863 poem "Christmas Bells" by American poet Henry Wadsworth Longfellow. The song tells of the narrator's despair, upon hearing Christmas bells during the American Civil War, that "hate is strong and mocks the song of peace on earth, good will to men". The carol concludes with the bells carrying renewed hope for peace among men. 

       In 1861, two years before writing this poem, Longfellow's personal peace was shaken when his second wife of 18 years, to whom he was very devoted, was fatally burned in an accidental fire. Then in 1863, during the American Civil War, Longfellow's oldest son, Charles Appleton Longfellow, joined the Union Army without his father's blessing. Longfellow was informed by a letter dated March 14, 1863, after Charles had left. "I have tried hard to resist the temptation of going without your leave but I cannot any longer", he wrote. "I feel it to be my first duty to do what I can for my country and I would willingly lay down my life for it if it would be of any good." Charles was soon appointed as a lieutenant but, in November, he was severely wounded in the Battle of Mine Run. Charles eventually recovered, but his time as a soldier was finished.

       Longfellow wrote the poem on Christmas Day in 1863. "Christmas Bells" was first published in February 1865, in Our Young Folks, a juvenile magazine published by Ticknor and Fields. References to the Civil War are prevalent in some of the verses that are not commonly sung. The refrain "peace on Earth, goodwill to men" is a reference to the King James Version of Luke 2:14.

Casting Crowns sings, "I heard the bells on Christmas Day"

A second version here.

Wednesday, October 13, 2021

Illuminated Christmas Carol Pages

These cleaned original illuminated pages are of The First Christmas Carol would make charming greeting card art for this year's Christmas Season. These two are from the 1800s and have been cleaned for visitors here. Don't forget to write a handwritten note to your loved ones using unique prints from our collections.

More Illustrated Christmas Carols:

Sunday, September 26, 2021

Sampling the punch or egg nog...

        Retro illustrations of men and women sampling the punch or egg nog at a party. These come from the 1950s and are only in black and white.

The hostess samples here homemade
punch before a party.

This punch bowl is as big as the man standing
above it! Merry Christmas text.
This secretary makes one potent egg nog for all her office
business partners. Is it the egg nog or mistletoe their
looking forward to?


More Christmas Egg Nog: