"Many popular Christmas hymns have a most interesting history. Those who have heard the waits and carolers sing "Hark, the Herold Angels Sing!" on Christmas eve will be astonished to know that many years ago it was rendered "Hark, How All The Welkin Rings!" and was sung to the tune of "See the Conquering Hero Comes." When this former wording was adopted in the new hymn book of the "Hymns Ancient and Modern" there was a great storm of criticism from those who prefer the modern version. The hymn was written by Charles Wesley." from How We Got Our Christmas Hymns, 1913
Vintage sheet music of "Hark the Herald Angels Sing", CC. |
Charles Wesley and his older brother, John (founder of the Methodist Church) made a brief visit to America in 1735. The two brothers came to Georgia as secretaries to General Oglethorpe. They returned to England the following year. It is said that Charles became interested in hymns on hearing a group of German Moravians singing their hymns aboard ship.
Wesley is said to have written over six thousand hymns and spiritual songs. His two greatest hymns are: Jesus Lover of My Soul (1740) and Hark! The Herald Angels Sing (1739). The latter, in its original form, opened with the lines "Hark how all the welkin rings. Glory to the King of Kings!" Through the course of time, various revisions have been made.
It is a curious fact that the Mendelssohn melody, which is so admirably suited to the song, is an adaptation. In 1840, Felix Mendelssohn composed a cantata to commemorate the invention of printing. This cantata, called "Festgesang" (Festival Song), was presented at the great festival held at Leipzig. Fifteen years later (1855), Dr. W. H. Cummings, organist at Waltham Abbey, England, adapted the melody of the second chorus of Mendelssohn's cantata to Wesley's Christmas hymn. He arranged it for his choir and presented it on Christmas day. The new melody was so well received that it was published the following year and soon became the accepted version of the hymn.
Mendelssohn was not completely satisfied with the original words to this melody in the Festgesang. He thought it ought to have other words — but not sacred words. This is verified by a very definite statement which he made in a letter to his publishers in England concerning a possible English translation. Quotations from this letter were published in 1933, by Dr. Dearmer, in his Songs of Praise.
Had Mendelssohn lived to hear his melody sung to the sacred words of Hark! The Herald Angels Sing, we wonder if it would not have won his enthusiastic acclaim, as it has won the acclaim of millions throughout all Christendom. Kvamme.
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