Sunday, August 5, 2012

Sock Snowman

Sock snowman in full color

Blue monochromatic sock snowman.

Sepia monochromatic sock snowman.

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Christmas Trees

Burgundy Christmas Tree

Green and Red Christmas Tree

Green and Gold Christmas Tree
 
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Red and Green Luminary

Description of Clip Art: green and red paper bag lantern, candles lights, hand-drawn by kgrimm, Read more about Luminaria here
Green Christmas Luminary

Red Christmas Luminary

Have a question about the illustration? Just type it in the comment box and I'll get back to you as soon as possible. I only publish content that is closely related to the subject, folks.

Two Christmas Nutcrackers

Two German nutcrackers in full color.
Two German nutcrackers, green monochromatic.

Two German nutcrackers, red monochromatic.


Three Christmas Nutcrackers

Three Christmas nutcrackers in full color.

Three Christmas nutcrackers, green monochromatic.
Three Christmas nutcrackers, red monochromatic.

Have a question about the illustration? Just type it in the comment box and I'll get back to you as soon as possible. I only publish content that is closely related to the subject, folks.

More Nutcracker Clip Art:

Walking In a Winter Wonderland

Walking In a Winter Wonderland
 
 Sleigh bells ring, are you listening,
In the lane, snow is glistening
A beautiful sight,
We're happy tonight.
Walking in a winter wonderland.

Gone away is the bluebird,
Here to stay is a new bird
He sings a love song,
As we go along,
Walking in a winter wonderland.

In the meadow we can build a snowman,
Then pretend that he is Parson Brown
He'll say: Are you married?
We'll say: No man,
But you can do the job
When you're in town.

Later on, we'll conspire,
As we dream by the fire
To face unafraid,
The plans that we've made,
Walking in a winter wonderland.

In the meadow we can build a snowman,
And pretend that he's a circus clown
We'll have lots of fun with mister snowman,
Until the other kids knock him down.

When it snows, ain't it thrilling,
Though your nose gets a chilling
We'll frolic and play, the Eskimo way,
Walking in a winter wonderland.

sung by Dean Martin

Sunday, December 4, 2011

It Came Upon The Midnight Clear

        "It Came Upon the Midnight Clear" (sometimes rendered as "It Came Upon a Midnight Clear") is a poem and Christmas carol written by Edmund Sears, pastor of the Unitarian Church in Wayland, Massachusetts. Sears' lyrics are most commonly set to one of two melodies: "Carol," composed by Richard Storrs Willis, or "Noel," adapted from an English melody.
Vintage color illustration of the Christmas Carol, from CC.
 

Judy Garland serenades us from the Christmas episode 
of Command Performance. Aired December 25 1945.

Visitors may download this printable sheet music of "It Came Upon The
Midnight Clear" to hand out to little ones in choir or to use in a caroling
 party or for Christmas crafts.

Away in a Manger

Vintage sheet music of "Away in a Manger" (Luther's Carol) lyrics included, CC.
 
        "Away in a Manger" is a Christmas carol first published in the late nineteenth century and used widely throughout the English-speaking world. In Britain, it is one of the most popular carols; a 1996 Gallup Poll ranked it joint second. The two most-common musical settings are by William J. Kirkpatrick (1895) and James R. Murray (1887).

Away in a Manger

Away in a manger, no crib for a bed,
The little Lord Jesus laid down His sweet head.
The stars in the sky looked down where He lay,
The little Lord Jesus asleep on the hay.

The cattle are lowing, the baby awakes,
But little Lord Jesus no crying He makes.
I love Thee, Lord Jesus, look down from the sky
And stay by my cradle till morning is nigh.

Be near me, Lord Jesus, I ask Thee to stay
Close by me forever, and love me, I pray.
Bless all the dear children in thy tender care,
And fit us for heaven, to live with Thee there.

"Away In The Manger" performed at Rockefeller Center


A manger rocks back and forth, like a cradle,
 with baby Jesus in it. A star shines down.


Monday, November 28, 2011

Christmas Meals for The Poor

Old Salvation Army Poster.
      In 1891, a Salvation Army captain in San Francisco resolved to provide a free Christmas dinner to the area's poor. But how would he pay for the food?
      From his days as a sailor in Liverpool, England, the captain remembered a large pot, displayed on the Stage Landing, called "Simpson's Pot," where passersby would toss charitable donations.
      The captain presented his idea to city authorities and received permission to place a similar pot at the Oakland ferry landing at the foot of San Francisco's Market Street. In its conspicuous position, the pot drew the attention of people going to and from the ferryboats. Another urn, in the ferryboat waiting room, also attracted donations. 
      Thus, Captain Joseph McFee launched a tradition that spread not only throughout the United States, but around the world. 
      By Christmas 1895, thirty Salvation Army Corps throughout the West Coast area were using the kettle. That year, The Sacramento Bee published a description of the Army's Christmas activities and mentioned the contributions. Two young Salvation Army officers, William A. McIntyre and N. J. Lewis, instrumental in the original use of the kettle, took the idea to the East Coast. 
      In 1897, McIntyre prepared his Christmas plans for Boston around the kettle. Other Army officers did not want to participate for fear of "making spectacles of themselves." Nevertheless, McIntyre, with his wife and sister, set up three kettles at the Washington Street thoroughfare in the heart of the city. That year the kettle effort in Boston and other locations nationwide resulted in 150,000 Christmas dinners for the needy. 
      In 1898, The New York World hailed The Salvation Army kettles as "the newest and most novel device for collecting money." The newspaper also observed, "There is a man in charge to see that contributions are not stolen." 
      In 1901, kettle contributions in New York City provided funds for the first mammoth sit-down dinner in Madison Square Garden, a custom that continued for many years. Today, families are given grocery vouchers so that they can buy and prepare their own dinners at home. The homeless poor are still invited to share holiday dinners and festivities at hundreds of Salvation Army centers. 
      Kettles now are used around the world. Everywhere, public contributions to the kettles enable The Salvation Army to bring the spirit of Christmas to people who would otherwise be forgotten - the aged and lonely, ill, poor and disadvantaged, or inmates of jails and other institutions. In the United States, The Salvation Army annually aids more than 6 million people at Thanksgiving and Christmas. 
      Kettles have changed since that first utilitarian cauldron in San Francisco. Some new kettles have such devices as a self-ringing bell, and a booth with a public address system to broadcast traditional Christmas carols. Even so, the same Salvation Army message - "Sharing is Caring" - still supports this timeless, enduring program.

    Friday, November 25, 2011

    Write A Letter To Santa

          Writing letters to Santa Claus has been a Christmas tradition for children for many years. These letters normally contain a wishlist of toys and assertions of good behavior. Some social scientists have found that boys and girls write different types of letters. Girls generally write longer but more polite lists and express the nature of Christmas more in their letters than in letters written by boys. Girls also more often request gifts for other people.
          Many postal services allow children to send letters to Santa Claus. These letters may be answered by postal workers and/or outside volunteers. Writing letters to Santa Claus has the educational benefits of promoting literacy, computer literacy, and e-mail literacy. A letter to Santa is often a child's first experience of correspondence. Written and sent with the help of a parent or teacher, children learn about the structure of a letter, salutations, and the use of an address and postcode.
          According to the Universal Postal Union (UPU)'s 2007 study and survey of national postal operations, the United States Postal Service (USPS) has the oldest Santa letter answering effort by a national postal system. The USPS Santa letter answering effort started in 1912 and since 1940 has been called "Operation Santa" to ensure that letters to Santa are adopted by charitable organizations, major corporations, local businesses and individuals in order to make children’s holiday dreams come true from coast to coast. Those seeking a North Pole holiday postmark through the USPS, are told to send their letter from Santa or a holiday greeting card by December 10 to: North Pole Holiday Postmark, Postmaster, 4141 Postmark Dr, Anchorage, AK 99530-9998.
          In 2006, according to the UPU's 2007 study and survey of national postal operations, France's Postal Service received the most letters for Santa Claus or "Père Noël" with 1,220,000 letters received from 126 countries. France's Postal Service in 2007 specially recruited someone to answer the enormous volume of mail that was coming from Russia for Santa Claus.
          Other interesting Santa letter processing information, according to the UPU's 2007 study and survey of national postal operations, are:
    • Countries whose national postal operators answer letters to Santa and other end-of-year holiday figures, and the number of letters received in 2006: Germany (500,000), Australia (117,000), Austria (6,000), Bulgaria (500), Canada (1,060,000), Spain (232,000), United States (no figure, as statistics are not kept centrally), Finland (750,000), France (1,220,000), Great Britain (750,000), Ireland (100,000), New Zealand (110,000), Portugal (255,000), Poland (3,000), Slovakia (85,000), Sweden (150,000), Switzerland (17,863), Ukraine (5,019).
    • In 2006, Finland's national postal operation received letters from 150 countries (representing 90% of the letters received), France's Postal Service from 126 countries, Germany from 80 countries, and Slovakia from 20 countries.
    • Some national postal operators make it possible to send in e-mail messages which are answered by physical mail. All the same, Santa still receives far more letters than e-mail through the national postal operators, proving that children still write letters. National postal operators offering the ability to use an on-line web form (with or without a return e-mail address) to Santa and obtain a reply include Canada Post (on-line web request form in English and French), France's Postal Service (on-line web request form in French), and New Zealand Post (on-line web request form in English). In France, by 6 December 2010, a team of 60 postal elves had sent out reply cards in response to 80,000 e-mail on-line request forms and more tna 500,000 physical letters.
          Canada Post has a special postal code for letters to Santa Claus, and since 1982 over 13,000 Canadian postal workers have volunteered to write responses. His address is: Santa Claus, North Pole, Canada, H0H 0H0 (see also: Ho ho ho). (This postal code, in which zeroes are used for the letter "O" is consistent with the alternating letter-number format of all Canadian postal codes.) Sometimes children's charities answer letters in poor communities, or from children's hospitals, and give them presents they would not otherwise receive. In 2009, 1,000 workers answered 1.1 million letters and 39,500 e-mail on-line request forms from children in 30 different languages, including Braille.
       In Britain it was traditional for some to burn the Christmas letters on the fire so that they would be magically transported by the wind to the North Pole. However this has been found to be less efficient than the use of the normal postal service, and this tradition is dying out in modern times, especially with few homes having open fires in their homes. Recently the national postal service Royal Mail has extended its delivery service to include Santa Claus' address, and allocated it a postcode. In 2010 the full address is: Santa Claus, Reindeer Land, SAN TA1.
          In Mexico and other Latin American countries, besides using the mail, sometimes children wrap their letters to a small helium balloon, releasing them into the air so Santa magically receives them.
          In 2010, the Brazilian National Post Service, “Correios” formed partnerships with public schools and social institutions to encourage children to write letters and make use of postcodes and stamps. In 2009, the Brazilian National Post Service, “Correios” answered almost two million children's letters, and spread some seasonal cheer by donating 414,000 Christmas gifts to some of Brazil's neediest citizens.
          Through the years, the Finnish Santa Claus (Joulupukki or "Yule Goat") has received over eight million letters. He receives over 600,000 letters every year from over 198 different countries with Togo being the most recent country added to the list. Children from Great Britain, Poland and Japan are the busiest writers. The Finnish Santa Claus lives in Korvatunturi, however the Santa Claus Main Post Office is situated in Rovaniemi near the Arctic circle. His address is: Santa Claus’ Main Post Office, Santa’s Workshop Village, FIN-96930 Arctic Circle. The post office welcomes 300,000 visitor a year, with 70,000 visitors in December alone.
          Children can also receive a letter from Santa through a variety of private agencies and organizations, and on occasion public and private cooperative ventures. An example of a public and private cooperative venture is the opportunity for expatriate and local children and parents to receive postmarked mail and greeting cards from Santa during December in the Finnish Embassy in Beijing, People's Republic of China, Santa Claus Village in Rovaniemi, Finland, and the People's Republic of China Postal System's Beijing International Post Office. Parents can order a personalized "Santa letter" to be sent to their child, often with a North Pole postmark. The "Santa Letter" market generally relies on the internet as a medium for ordering such letters rather than retail stores.

          When my little ones were young, they wrote their letters to Santa and then "mailed" them by burning the letters in the fireplace. The ashes would make their way up the chimney with the smoke to Santa's workshop. This is not a particularly common practice in America, but it was the tradition practiced by my husband in his childhood and so we continued with it.
          I've cleaned these vintage postcards for those of you who would like to print it out and leave a letter for Santa with cookies on Christmas Eve. My husband and I saved all of our children's Thank You notes to Santa over the years and these are so much fun to read. I recommend this marvelous little tradition because it teaches children to practice curtsy. Sometimes, Santa even remembered to write a return letter to them after leaving their gifts!
           Read the our Terms of Use before downloading and printing the graphics below.
     
    Santa climbing down the chimney with his sack of toys.
    This version depicts Santa in a large furry hat!

    Have a question about the illustration? Just type it in the comment box and I'll get back to you as soon as possible. I only publish content that is closely related to the subject, folks.

    Friday, November 18, 2011

    My Welsh cupboard including Santas and a Christmas feather tree


           This maple, Welsh cupboard once belonged to my mother-in-law. During the holidays, I display all kinds of "knick knacks" on it. My husband is not fond of knick knacks so I only display my collections during the holidays. We are happy with this simple arrangement. My children always look forward to what gets displayed on the Welsh cupboard. They spent countless hours looking at these displays during their childhood years.
     
    Some of the things displayed on my Welsh cupboard include: a small wooden village once
     played with by my husband, a storybook doll cherished by a beloved aunt, a Christmas
    gift card shaped like a country church, a ceramic slice of pie by my youngest daughter.

    This tin type actually moves. I think it is based
    upon an old, winter postcard scene.

           I have collected many small things over the years that end up on top of my Welsh cupboard during December. Pictured above, left is a chalkware Belsnickel that I hand-painted and a carved Santa. On the bottom row is a Russian nesting doll given to me by my sister-in-law, a pottery Santa and a snowman wearing ice skates. None of these items are worth much but they bring back cherished memories of my family's holidays.


    Also included on the cupboard a feather tree purchased for me by my
    mother-in-law many years ago for my birthday.


    Holly Hunter's Santa collection.

    Wednesday, November 16, 2011

    Cut and Sew Vintage Christmas Prints

    Left and center, a printed Santa figure on cotton with dimensional boots and sack of toys. Right,
     a snowman with dimensional top hat, scarf and pocket with tree. Both of these figures were sold
    as panels off of a bolt of printed cotton fabric. They are from the 1990s.

          I purchased this "cut and sew" Santa pillow (above)  on an after Christmas sale. The copyright of this Santa belongs to Dorothy Dear Designs, 1979-1991 Forest Grove, OR.
          I cut and sew the snowman (pictured upper left) many years ago from a panel that I purchased from my local sewing shop.

    This vintage felt stocking was once owned by my mother-in-law. I
    believe it to be a reproduction of a much earlier printed stocking
    from the 1950s.
     
    These three stockings were given to myself and two older siblings in the 1960s. They are origianl.
    I've drafted similar patterns for reproducing them below.

    The glitter shapes from the center stocking with bells.

    Similar shapes for the stocking above for those of you who would like to make something
     like these retro stockings for personal use only.

    Monday, November 14, 2011

    Christmas Garlands from Our Trees

    Old-fashioned glass bead garlands

    Clay gingerbread men garland from ten thousand villages

    Paper medallion garland made by my eldest daughter.

    Garlands made from chenille stems, gold and silver beads

    Clay angel garland from ten thousand villages

    Garlands that young children can make:
    Garlands by paper artists:

    Monday, September 19, 2011

    Parlor Game: The Christmas Elf

          For this entertainment two people are needed, and there must be a loose and very gorgeous jacket with large sleeves. This may be made from turkey-red covered with gilt spangles, or from some bright chintz. The one who is to do the speaking dresses his arms to represent legs, and puts his hands into a pair of high shoes, though patent-leather boots are much better. A cap or hat with many plumes finishes the costume. Behind him stands the acting player, who thrusts his arms under the make-believe legs of the speaker, and fits them into the sleeves of the jacket. Then the speaker puts his hands on the table, and a third person draws and pins the curtain, so that no one can see the performers. The elf looks amiably about, and then begins a speech. He may be an Christmas or Fairytale Elf, but must use a good many phrases from whatever language is his own. In the mean time, the actor uses his arms in making extraordinary gestures. Then the elf dances his holiday dance, somebody playing the music for him, and the hands do what they please ; the whole being so real, that every child will insist that it is truly an elf.

    Parlor Game: Stage Coach

          This is sometimes called "The Family Coach." The players sit as nearly in a row as possible, and each one receives the name of something connected with the coach, as in the form given, in which a story is told, introducing all the different characters ; as, for instance, —
    • The Driver.
    • Whip.
    • Right Wheel.
    • Two Horses, - one Gray, one Black.
    • Miss Stacy s Box.
    • The Old Woman.
    • The Parrot (this ought to be the youngest child).
    • The Old Woman's Basket.
    • The Man with a Long Beard.
    • The Girl with a Red Hat.
    • The Stage-coach.

          Other parts of the coach, such as axle, or door, or other passengers, can be added if they are needed, and the story altered so as to bring them in.

          The characters who are Italicized get up and turn around as their names are mentioned; and, as has been said, at "Stage-coach" every one gets up at the same time, and turns around once, until it upsets, and they all rush to change seats.

          "One day I wanted to go from Albany to New York in the Stage-coach. It always started very early in the morning, but every thing made me late. I overslept myself; breakfast was not ready ; my boots were stiff, and hard to put on; all seven of the children had to be hunted up and kissed good-by; my wife had fifty last directions; and at the last moment, as I rushed off, out came Miss Stacy, the milliner, with a Box she wanted me to carry to her mother. I hadn't a moment to spare, and I rushed down the street as if I was crazy; but to my delight, when I reached the inn, there stood the Driver snapping his Whip, and now and then patting the Gray Horse.


    " 'My goodness !' I cried : ' I expected the Stage had gone.'

    " ' Gone !' said the Driver. ' Not much, if an Old Woman can hinder you.'

    " 'Go without her,' called a Man with a Long Beard, putting his head out of the Door.

    "'Here she comes,' said the Driver; and he snapped his Whip again, and got up on his box.

    "The Old Woman was pretty stout; but she came steadily along, carrying a Basket in both hands, with her bonnet swinging on the back of her head.

    "' I was half afraid I might be late,' the Old Woman said.

    "' Come, get in, get in!' cried the Man with a Long Beard. And he flung open the Door, and the Old Woman climbed in, and I after her; and the Man with a Long Beard banged the Door fast, the Driver snapped his Whip, and the Gray Horse gave a pull, and that wakened up the Black one; and so the Stage-coach started off. In front of the Old

    Woman sat a young Girl with a Red Hat, who was forever putting her head out of the window to watch the Right

    Wheel, which she said she knew would break down. She had noticed it as she got in the Door.

    "I put my Box on the floor, and the Old Woman put her Basket by it, and then the Man with a Long Beard began to talk of robbers.

    "'It was only last week,' he said, 'that a Stage-coach going to Rochester was stopped by two men in masks, who' " ' You'd better believe it!' said a strange voice.

    " The Man with a Long Beard looked at the Girl with a Red Hat, and she put her head out of the window as if the Right Wheel had spoken.

    "' Who,' continued the Man with a Long Beard, ' pulled out pistols, and ' " ' Stuff !' said the voice.

    "Then the Man with a Long Beard looked at me, and I looked at the Girl with a Red Hat, and she looked at the Old Woman, who looked at my Box. This made me mad.

    "' There's nothing in that Box that isn't right,' I said.

    " ' Nor in my Basket,' said the Old Woman ; ' and, if that Black Horse don't run away, I'll be surprised.'

    "'I'll eat him with a grain of salt,' said the voice; and the Girl with a Red Hat screamed; and the Driver pulled up both of his Horses, and dropped his Whip under the Right Wheel; and the Man with a Long Beard flung open the Door, put his foot in my Box, upset the Old Woman's Basket; and out jumped a great green Parrot, screaming, 'Fire! Fire !' and this frightened the Horses, and over went the Stage-coach down the hill."

           If any one forgets to answer to the name given, a forfeit is paid. These forfeits were not redeemed till various other forfeit-games had been played, each pledge being put on a little table in the corner. 

    Parlor Game: Buff

    This, like many of the games is only a way of collecting forfeits. One of the players comes forward with a poker, and knocks on the floor three times. " Whence come you ? " one of the company asks. " I come from poor Buff, full of sorrow and care." - " And what did Buff say to you ?"

    "Buff said, 'Buff!' And he gave me this staff, And he bade me not laugh Till I came to Buff's house again."

    With this the poker is handed to the questioner. But before this is done all have been trying to make the poker-bearer laugh. If there is even the faintest smile, a forfeit is paid. Sometimes the rhyme is like this : " Buff says ' Buff' to all his men, And I say 'Buff' to you again. Buff he neither laughs nor smiles, In spite of all your cunning wiles, But keeps his face with a very good grace, And carries his staff to the very next place."

    The poker is handed from one to another till each has said the rhyme, and it must pass from hand to hand as rapidly as possible.

    Parlor Game: How, When, and Where Do You Like It?

    Then came an old-fashioned guessing game : How Do You Like It? When Do You Like It? AND Where Do You Like It ?

    In this, one of the company is sent out, and the rest choose some article or object with several different meanings, which she, on her return, must endeavor to discover by asking the three questions, " How do you like it ?" " When do you like it ?" and " Where do you like it ?" The one whose reply betrays the secret pays a forfeit, and changes places with the questioner.

    Example. Fanny leaves the room : her companions, having in her absence decided on the word "box," recall her.

    Fanny. Jane, how do you like it ? Jane. Of Chinese workmanship. Fanny. And you, Clara ?
    Clara. Not too crowded.
    Fanny. Mary ?
    Mary. Lined with crimson velvet.
    Fanny. Now, Agnes.
    Agnes. Filled with pleasant people
    Fanny. Martha, it is your turn.
    Martha. Green and flourishing.
    Fanny. Constance ?
    Constance. Well cushioned.
    Fanny. And Ellen ?
    Ellen. Inlaid with silver.
    Fanny. Annie ?
    Annie. Not too hard.
    Fanny. Come, Emily.
    Emily. Large and handsome.
    Fanny. And when do you like it ?
    Jane. When I'm at work.
    Clara. In the evening, after nine o'clock.
    Mary. At any time.
    Agnes. Some day next week.
    Martha. At all seasons of the year.
    Constance. Whenever I can get it given me.
    Ellen. On my next birthday.
    Annie. When I have neglected my music-lesson
    Emily. Next time I go a journey.
    Fanny. And now where do you like it ?
    Jane. On my table.
    Clara. At the opera.
    Mary. On my toilet.
    Agnes. At the theatre.
    Martha. In my garden.
    Constance. In the best circle.
    Ellen. Where it can be seen and admired.
    Annie. On my ear.
    Emily. In my dressing-room.

    If Fanny is still unable to guess the word, she pays a forfeit, and again leaves the room : if not, the one from whom she guesses it changes places with her.


    Parlor Game: The Emperor Of Morocco

    In this game two of the players must walk solemnly toward one another, bow ceremoniously without a smile, and look steadily at one another while they repeat the following dialogue: First Player. The Emperor of Morocco is dead.

    Second Player. I'm very sorry for it.

    First Player. He died of the gout in his left great toe.

    Second Player. I'm very sorry for it.

    First Player. And all the court are to go in mourning, and wear black rings through their noses.

    Second Player. I'm very sorry for it.

    They then bow again, and retire to their places, while another pair comes forward to go through the same impressive dialogue; and so on, till the game has gone all round the circle; a forfeit being the penalty for the slightest approach to a giggle. By the time almost every one had giggled, and the stand in the corner was covered again with forfeits, supper was ready, it being exactly half-past six; and every one was so hungry, that the piled-up table very soon showed empty dishes, and more sandwiches had to be brought in. The supper was as sensible as the hours, — plenty of delicious sandwiches, three sorts, made from tongue, ham, and chicken ; light, delicate cake, but no heavy, rich fruit-cake ; custards in pretty cups ; plenty of ice-cream and fruit, but no candy, save that to be found in the piles of "crackers," which they pulled after supper, each child putting on the caps they held.

    Parlor Game: Thus Says The Grand Mufti

          This is a favorite game among children. One stands up in a chair, who is called the Grand Mufti. He makes whatever motion he pleases; such as putting his hand on his heart, stretching out his arm, smiting his forehead, making up a sorrowful face, etc. At each motion he says, " Thus says the Grand Mufti," or "So says the Grand Mufti." When he says, " Thus says the Grand Mufti," every one must make just such a motion as he does ; but when he says, " So says the Grand Mufti," every one must keep still. A forfeit for a mistake. 

    Tuesday, June 21, 2011

    Craft a Beaded Cross

        Bend some scrap wire and add your choice of beads to craft this cross for either your Chrismon or Christmas tree. I've included a simple diagram below that demonstrates how the cross shape may be bent.
          If you are thinking of making beaded crosses for a Sunday School project in December, give the children metallic chenille stems to bend into cross shapes instead of a wire that may cut through the skin of their small hands. Then hang the crosses on a Chrismon tree during a service or processional.

    More Cross Chrismons to Craft:

    Diagram for beading a simple beaded cross.

    The "Unity of the Father and Son Chrismon" 
    video from RUMC Angel Workshop

    Monday, November 16, 2009

    History of Christmas Cards.

          Christmas cards are usually exchanged during the weeks preceding Christmas Day on December 25 by many people (including non-Christians) in Western society and in Asia. The traditional greeting reads "wishing you a Merry Christmas and a Happy New Year", much like the first commercial Christmas card, produced by Sir Henry Cole in London 1843. There are innumerable variations on this greeting, many cards expressing more religious sentiment, or containing a poem, prayer or Biblical verse; others stay away from religion with an all-inclusive "Season's greetings".
          A Christmas card is generally commercially designed and purchased for the occasion. The content of the design might relate directly to the Christmas narrative with depictions of the Nativity of Jesus, or have Christian symbols such as the Star of Bethlehem or a white dove representing both the Holy Spirit and Peace. Many Christmas depict traditions such as Santa Claus, objects associated with Christmas such as: candles, holly and baubles. Other cards may illustrate winter activities such as shopping, skating, or wildlife scenes typical of a northern winter. Some Christmas cards depict nostalgic scenes of the past such as crinolined shoppers in 19th century streetscapes; others are humorous, particularly in depicting the antics of a modern day Santa and his retinue.
    The world's first commercially produced Christmas
     card, designed by John Callcott Horsley for
    Henry Cole.
          The first commercial Christmas cards were commissioned by Sir Henry Cole in London in 1843 and featured an illustration by John Callcott Horsley. The picture, of a family with a small child drinking wine together, proved controversial, but the idea was shrewd: Cole had helped introduce the Penny Post three years earlier. Two batches totaling 2,050 cards were printed and sold that year for a shilling each.
          Early English cards rarely showed winter or religious themes, instead favoring flowers, fairies and other fanciful designs that reminded the recipient of the approach of spring. Humorous and sentimental images of children and animals were popular, as were increasingly elaborate shapes, decorations and materials. In 1875 Louis Prang became the first printer to offer cards in America, though the popularity of his cards led to cheap imitations that eventually drove him from the market. The advent of the postcard spelled the end for elaborate Victorian-style cards, but by the 1920s, cards with envelopes had returned.
    American card, circa 1940
          The production of Christmas cards was, throughout the 20th century, a profitable business for many stationery manufacturers, with the design of cards continually evolving with changing tastes and printing techniques. The World Wars brought cards with patriotic themes. Idiosyncratic "studio cards" with cartoon illustrations and sometimes risque humor caught on in the 1950s. Nostalgic, sentimental, and religious images have continued in popularity, and, in the 21st century, reproductions of Victorian and Edwardian cards are easy to obtain. Modern Christmas cards can be bought individually but are also sold in packs of the same or varied designs. In recent decades changes in technology may be responsible for the decline of the Christmas card. The estimated number of cards received by American households dropped from 29 in 1987 to 20 in 2004. Email and telephones allow for more frequent contact and are easier for generations raised without handwritten letters - especially given the availability of websites offering free email Christmas cards. Despite the decline, 1.9 billion cards were sent in the U.S. in 2005 alone. Some card manufacturers, such as Hallmark, now provide E-cards. In the UK, Christmas cards account for almost half of the volume of greeting card sales, with over 668.9 million Christmas cards sold in the 2008 festive period.

    Links to Handmade Christmas Cards
    Links to Christmas Cards by Children
    Send an internet Christmas Card