Monday, August 29, 2022

History of The Swedish Dala Horse

A variety of Swedish Dalas, old and new.

       It was in the small log cabins deep in the forests during the long winter nights in front of a log fire that the forerunner of the Dala horse was born. Using simple tools, generally only a knife, woodcarvers made toys for their children. It was only natural that many of these toys were horses, because the horse was invaluable in those days, as a trusty friend and worker who could pull great loads of timber from the forests during the winter months, and in the summer could be of just as much use on the farm.
       The art of carving and painting the small horses quickly flourished in the 19th century, as economic hardship in the region inspired greater production of the small horses, and they became an important item of barter. Horse-making may have started as something to do during the long dark winter months, but soon the Dala horses were traded in exchange for household goods and their carving and painting blossomed into a full-fledged cottage industry. The rural families depended on horse production to help keep food on the table, as the skills of horse carving and painting were passed on from generation to generation.
       The carving of Dala horses as a livelihood is thought to have started in the village of Bergkarlås in central Sweden, though the nearby "horse" villages of Risa, Vattnäs, and Nusnäs were also centers of horse-making. The villages were involved in the art of furniture and clock-making, and it is likely the leftover scraps of wood were put to use in the production of Dala horses. Many early Dala horses were not painted at all, but in the beginning of the 19th century painting them in a single color, white or red, became common practice. The decoration of the Dala horse has its roots in furniture painting and was perfected over the years. According to a local tale, a wandering painter in the style of kurbits came across one of these Dala horses in a farm he was decorating. When asked by one of the children why that horse was not as beautifully painted as the ones in the decorations, he painted the Dala horse in the same style. This tradition was then carried on in order to raise the market value of the Dala horses.
       The earliest references to wooden horses for sale are from 1623—nearly 400 years ago. In the 19th century, Stikå-Erik Hansson from the village Risa in the parish of Mora introduced the technique of painting with two colours on the same brush, still used today. In the book "The Wooden Horses of Sweden," the author mentions that this famous Dala painter is buried in a small churchyard in Nebraska after having immigrated to the Midwest in 1887 at the age of 64.) He changed his name to Erik Erikson upon coming to America and is buried at Bega Cemetery in Stanton County Nebraska, outside of Norfolk.
       While there were many horse whittlers in the early production of Dala horses, there were comparatively few horse painters. The large number of whittlers and a lack of distinguishing features makes it difficult to distinguish between different whittlers. Early painters very rarely signed their work, but they did have their own distinct pattern from which it is often possible to identify who painted a particular horse. In the 1930s (especially after the World's Expo in Paris 1937 and World's Fair in New York 1939 in which Dala horses where shown) mass production of Dala horses started. This marks the beginning of a new era for the Dala horse, transitioning from toy to a national symbol and popular souvenir.
       The Dalecarlian horse of today is still a handcrafted article, made of pine, and its pattern is about 150 years old. At least nine different people contribute their skills to create each horse. The distinctive shape of the horse is due to the usage of flat-plane style carving. Briana Weekes currently holds the world record for owning the most Dala horses. Wikipedia
How Dala Horses Are Handmade in 
One of The Last Factories in Sweden.

Learn how to wrap yarn Christmas tree ornaments

Finished yarn wrapped Christmas tree.
       Sometimes you can purchase Styrofoam cones or paper mache cones from the craft store that will make good replacements for the kitchen foil method I have described below, but this is by far the most economical method to craft the ornament on the right. 
       If you will apply yourself to learning how to sculpt with kitchen foil, you'll discover a whole new world of creating ornament crafts for the Christmas tree. One must remember, however, to always cover the foil in the end with masking tape, in order to avoid several kinds of disasters!

Supply List:
  • green and brown yarn
  • pom-poms
  • kitchen foil
  • masking tape
  • hot glue and hot glue gun
  • white school glue
  • twine for hanging
Step-by-Step Instructions:
  1. Crush a basic cone shape using the kitchen foil; this will be the top part of the Christmas tree ornament.
  2. Crush a tree stump using more kitchen foil.
  3. Using the masking tape, tape the stump to the bottom part of the tree.
  4. Now cover the entire ornament with masking tape.
  5. Tape on a wire or twine to the tip of the the cone for hanging.
  6. Cover small portions at a time with a fine layer of white school glue as your wrap the green yarn around the cone. Make sure that the yarn sides touch together as you are wrapping.
  7. Repeat the same method and cover the trunk with brown yarn. Let the ornament dry completely over night.
  8. Now hot glue the pom-poms on to represent baubles on the tree. An adult should assist in this second half of the process; hot glue guns are dangerous for young children to use.

Tuesday, August 23, 2022

Wrap Two Tassel Snow People for the Christmas Tree!

Left, a male yarn tassel figure holds a tiny Christmas tree while hanging on the tree.
Right, a female version of the same doll type wears an apron dress, configured with
fancy ribbons about the bodice. Our versions of this ornament craft have only a red nose
 each for their suggested faces, but you may wish to add more detail than this on
your own interpretations.

      Yarn tassel people like these have been included on Christmas trees since the Victorian era. These are old enough and common enough, that nobody really knows who first started the trend! I've made our family's versions using a soft, white yarn that was left-over from someone's former knitting project for a baby, I think.  Below, you can see several drawings and photos of how it was tied to create both a female figure and a male figure. Use soft cotton balls to stuff the bodies where needed. If you are making darker tassel bodies, try to match the stuffing with the color. You can do this with pom-poms or the same yarn wrapped around a cotton ball.
       After tying together the dolls, dress them in wide ribbon skirts or pants. Give the female an apron looking outfit and the male pants with a bow tie. I also included pom-poms for noses and tiny red pointed caps left over from some other project.

Here you can see the difference in how the arms and legs are tied for the woman compared
with the man. The female is given a permanent skirt and the male tied, segmented legs.
Both have arms that are tied the same way.

How To Make A Tassel. Steps for making a tassel from yarn or any kind of material. Wrap
yarn around a book or a rectangle piece of cardboard. Cut apart the yarn to create multiple
cluster of yarn strands measuring the same length. Then tie off in the center with a stronger
yarn. Fold the yarn cluster in half and tie again with more string.


 See More Examples of Tassel Yarn Dolls:

Monday, August 22, 2022

The Little Gingerbread Man

The Little Gingerbread Man by G. H. P.

Cook makes the Gingerbread Man.
         One day, the cook went into the kitchen to make some gingerbread.She took some flour and water, and treacle and ginger, and mixed them all well together, and she put in some more water to make it thin, and then some more flour to make it thick, and a little salt and some spice, and then she rolled it out into a beautiful, smooth, dark-yellow dough.
       Then she took the square tins and cut out some square cakes for the little boys, and with some round tins she cut out some round cakes for the little girls, and then she said, "I'm going to make a little gingerbread man for little Bobby." So she took a nice round lump of dough for his body, and a smaller lump for his head, which she pulled out a little for the neck. Two other lumps were stuck on beneath for the legs, and were pulled out into proper shape, with feet and toes all complete, and two still smaller pieces were made into arms, with dear little hands and fingers.
       But the nicest work was done on the head, for the top was frizzed up into a pretty sugary hat; on either side was made a dear little ear, and in front, after the nose had been carefully molded, a beautiful mouth was made out of a big raisin, and two bright little eyes with burnt almonds and caraway seeds.
       Then the gingerbread man was finished ready for baking, and a very jolly little man he was. In fact, he looked so sly that the cook was afraid he was plotting some mischief, and when the batter was ready for the oven, she put in the square cakes and she put in the round cakes; and then she put in the little gingerbread man in a far back corner, where he couldn't get away in a hurry.
       Then she went up to sweep the parlor, and she swept and she swept till the clock struck twelve, when she dropped her broom in a hurry, and exclaiming, "Lawks! the gingerbread will be all baked to a cinder," she ran down into the kitchen, and threw open the oven door. And the square cakes were all done, nice and hard and brown, and the round cakes were all done, nice and hard and brown, and the gingerbread man was all done too, nice and hard and brown; and he was standing up in his corner, with his little caraway-seed eyes sparkling, and his raisin mouth bubbling over with mischief, while he waited for the oven door to be opened. The instant the door was opened, with a hop, skip, and a jump, he went right over the square cakes and the round cakes, and over the cook's arm, and before she could say "Jack Robinson" he was running across the kitchen floor, as fast as his little legs would carry him, towards the back door, which was standing wide open, and through which he could see the garden path.
       The old cook turned round as fast as she could, which wasn't very fast, for she was rather a heavy woman and she had been quite taken by surprise, and she saw lying right across the door-way, fast asleep in the sun, old Mouser, the cat.
       "Mouser, Mouser," she cried, "stop the gingerbread man! I want him for little Bobby." When the cook first called, Mouser thought it was only some one calling in her dreams, and simply rolled over
lazily; and the cook called again, "Mouser, Mouser!" The old cat sprang up with a jump, but just as she turned round to ask the cook what all the noise was about, the little gingerbread man cleverly jumped under her tail, and in an instant was trotting down the garden walk. Mouser turned in a hurry and ran after, although she was still rather too sleepy to know what it was she was trying to catch, and after the cat came the cook, lumbering along rather heavily, but also making pretty good speed.  
       Now at the bottom of the walk, lying fast asleep in the sun against the warm stones of the garden wall, was Towser, the dog.
       And the cook called out: "Towser, Towser, stop the gingerbread man! I want him for little Bobby."
       And when Towser first heard her calling he thought it was some one speaking in his dreams, and he only turned over on his side, with another snore, and then the cook called again, "Towser, Towser, stop him, stop him!"
       Then the dog woke up in good earnest, and jumped up on his feet to see what it was that he should stop. But just as the dog jumped up, the little gingerbread man, who had been watching for the chance, quietly slipped between his legs, and climbed up on the top of the stone wall, so that Towser saw nothing but the cat running towards him down the walk, and behind the cat the cook, now quite out of breath.
       He thought at once that the cat must have stolen something, and that it was the cat the cook wanted him to stop. Now, if there was anything that Towser liked, it was going after the cat, and he jumped up the walk so fiercely that the poor cat did not have time to stop herself or to get out of his way, and they came together with a great fizzing, and barking, and meowing, and howling, and scratching, and biting, as if a couple of Catherine-wheels had gone off in the wrong way and had got mixed up with one another.
Cook takes a tumble.
       But the old cook had been running so hard that she was not able to stop herself any better than the cat had done, and she fell right on top of the mixed up dog and cat, so that all three rolled over on the walk in a heap together.
       And the cat scratched whichever came nearest, whether it was a piece of the dog or of the cook, and the dog bit at whatever came nearest, whether it was a piece of the cat or of the cook, so that the poor cook was badly pummelled on both sides.
       Meanwhile, the gingerbread man had climbed up on the garden wall, and stood on the top with his hands in his pockets, looking at the scrimmage, and laughing till the tears ran down from his little caraway-seed eyes and his raisin mouth was bubbling all over with fun.
       After a little while, the cat managed to pull herself out from under the cook and the dog, and a very cast-down and crumpled-up-looking cat she was. She had had enough of hunting gingerbread men, and she crept back to the kitchen to repair damages.
       The dog, who was very cross because his face had been badly scratched, let go of the cook, and at last, catching sight of the gingerbread man, made a bolt for the garden wall. The cook picked herself up, and although her face was also badly scratched and her dress was torn, she was determined to see the end of the chase, and she followed after the dog, though this time more slowly.
       When the gingerbread man saw the dog coming, he jumped down on the farther side of the wall, and began running across the field. Now in the middle of the field was a tree, and at the foot of the tree was lying Jocko, the monkey. He wasn't asleep--monkeys never are--and when he saw the little man running across the field and heard the cook calling, "Jocko, Jocko, stop the gingerbread man," he at once gave one big jump. But he jumped so fast and so far that he went right over the gingerbread man, and as luck would have it, he came down on the back of Towser, the dog, who had just scrambled over the wall, and whom he had not before noticed. Towser was naturally taken by surprise, but he turned his head around and promptly bit off the end of the monkey's tail, and Jocko quickly jumped off again, chattering his indignation.
       Meanwhile, the gingerbread man had got to the bottom of the tree, and was saying to himself: "Now, I know the dog can't climb a tree, and I don't believe the old cook can climb a tree; and as for the monkey I'm not sure, for I've never seen a monkey before, but I am going up."
       So he pulled himself up hand over hand until he had got to the topmost branch.
       But the monkey had jumped with one spring onto the lowest branch, and in an instant he also was at the top of the tree.
       The gingerbread man crawled out to the furthermost end of the branch, and hung by one hand, but the monkey swung himself under the branch, and stretching out his long arm, he pulled the gingerbread man in. Then he held him up and looked at him so hungrily that the little raisin mouth began to pucker down at the corners, and the caraway-seed eyes filled with tears.
       And then what do you think happened? Why, little Bobby himself came running up. He had been taking his noon-day nap upstairs, and in his dreams it seemed as if he kept hearing people call "Little
Bobby, little Bobby!" until finally he jumped up with a start, and was so sure that some one was calling him that he ran down-stairs, without even waiting to put on his shoes.
Bobby thought he heard someone calling.
       As he came down, he could see through the window in the field beyond the garden the cook, and the dog, and the monkey, and could even hear the barking of Towser and the chattering of Jocko. He
scampered down the walk, with his little bare feet pattering against the warm gravel, climbed over the wall, and in a few seconds arrived under the tree, just as Jocko was holding up the poor little gingerbread man.
      "Drop it, Jocko!" cried Bobby, and drop it Jocko did, for he always had to mind Bobby. He dropped it so straight that the gingerbread man fell right into Bobby's uplifted pinafore.
       Then Bobby held him up and looked at him, and the little raisin mouth puckered down lower than ever, and the tears ran right out of the caraway-seed eyes.
       But Bobby was too hungry to mind gingerbread tears, and he gave one big bite, and swallowed down both legs and a piece of the body.
       "OH!" said the gingerbread man, "I'M ONE-THIRD GONE!"
       Bobby gave a second bite, and swallowed the rest of the body and
the arms.
       "OH!" said the gingerbread man, "I'M TWO-THIRDS GONE!"
       Bobby gave a third bite, and gulped down the head.
       "Oh!" said the gingerbread man, "I'm all gone!"
       And so he was--and that is the end of the story.

       Now that you've heard our story, gather you're crayons and paper to practice drawing a funny little gingerbread man of your very own. The steps are as simple as 1, 2, 3! 
Left, "If something good you'd like to do, just take these circles I give to you." Center, "The small one here, The big one there, some legs and arms, some eyes and hair." Right, "A mouth and nose, as fast as you can, And there you have a gingerbread man."

Popsicle Stick Christmas Tree Ornament

The Popsicle tree craft is finished. Click here
to see and craft a 3D paper Christmas tree.

       Dress up this simple wooden tree ornament with fancy trims to make it unique. Also allow for plenty of drying time before painting and adding the lace.

Supply List:

  • acrylic paints: greens, browns, gold
  • white school glue or wood glue
  • Popsicle sticks
  • lacy trims
  • ribbon for hanging

Step-by-Step Instructions:

  1. Glue the wooden craft sticks in the shape of a triangular tree. You will need to shorten the the wooden craft stick at the bottom to create this traditional tree shape. Let dry.
  2. Clip wooden sticks to the length that you think would look best for the trunk of the tree. 
  3. Glue these three wooden sticks side-by-side at the base of the triangle shape to make the tree stump.
  4. Paint the tree green and the stump brown.
  5. Glue on lacy trims around the tree shape.
  6. Glue on a ribbon for hanging.