Thursday, August 1, 2013

Tidings of Great Joy

"Multitudes are blessed by
Christmas who are not yet
ready to acknowledge Him
from whom all blessing
come."
"And the angel said unto them, Fear not; for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Savior, which is Christ the Lord." Luke 2:10-11 

      There is a tendency at Christmas to dwell upon externals and to miss the true, deep meaning of the day. We look upon it as a holiday, as a time for giving and receiving presents. Christmas is the great festival of the home, and in this aspect it is observed by Jews and non-believers and thousands of others besides Christians. This is one of the indirect and beneficent effects of Christmas--that it leavens the entire community with the spirit of love and good will. You see the throngs upon the streets, the crush in the great stores, the people planning glad surprises for one another, and bearing mysterious parcels whose unwrapping is to bring a glow of joy into some fellow-creature's heart, or cause the merry shouts of children to rise on  Christmas morning. Multitudes are blessed by Christmas who are not yet ready to acknowledge Him from whom all the blessings come. There is this danger: To be absorbed in the outward splendor and merry making of Christmas and not to penetrate to the great truth which gives an eternal meaning to all the festivities of this day.
      Also, when we think of it as a religious festival our thoughts are occupied with its externals. We picture the manger and the Virgin mother; we sing of the angles and the shepherds watching their flocks by night. We join in the hymns or listen to the great Christmas anthem and say "How sweet! How beautiful!" and pay little heed to the meaning of the the words we use.
      Now, leaving externals alone, going down deeper than Christmas trees and music and present-making and home reunions and grand anthems, what is the great truth of Christmas?
      It is the incarnation. We stand face to face with this sublime fact that the Word was made flesh and dwelt among us. Man had known something about God: by the incarnation he knew God. In the incarnation God himself came and dwelt with man. God revealed himself to man in the person of Jesus Christ.
      Look upon the infant Jesus cradled in the Virgin's arms. He is the link between earth and heaven. In him god and man are joined as one.
      This is the meaning of Christmas. Did not the angels rightly call it "glad tidings of great joy"? Hear the good news, then. Listen to the glad tidings! You are the child of God: you are not left to parish here in this world of death and sin. You are destined for immortality. Carry the news to the heartsick and the suffering.
      Christmas also means that God has spoken. His tone and final word has been uttered in Jesus Christ. Is not this great news? From the beginning God has been revealing himself to man as fast as man could receive him. All truth is from God, as all light is from the sun. He spoke through many men in many places in broken utterances. Now he has uttered himself once for all in his son. Every word and deed of Jesus is the infallible revelation of the eternal God.
      Therefore we cry "Good news!" The tabernacle of God is with men. Good  news! God is saving the world and blessing men whether they acknowledge him or not. Good news! God has not left any soul in perfect darkness. Good news! God is light, God is life, God is love. Good news!

God's in his heaven--
All's right with the world.

W. H. Moreland, Bishop Sacramento, Diocese, P. E. Church, 1898. Visit the home of the Episcopal Diocese of Northern California Today.

Preschool and kindergarteners sing a new, touching 
Christmas carol by Chris Rice called, "Welcome to Our World."

When Love Was Born

We love because he first loved us. 1 John 4:19
Jesus replied: "Love the Lord your God with all your heart and with all your soul and with all your mind." Matthew 22: 37

      It is remarkable that while the Scriptures give us a distinct recital of the infancy of Jesus and make no attempt to disguise the fact that he was an infant with the veritable helplessness incident to such condition, yet it is not the littleness of the babe that arrests the Scripture's attention, nor the meaningless frailty of the babe that those Scriptures underscore. Neither Mark nor John has anything to say of an infant Jesus, and the other evangelists treat his infancy only as an incident, and portray it in a way intended to draw the whole consciousness of the reader off from the mere boyish features of the situation and to center that consciousness upon the wonderfulness, the kindliness and divineness of the being who passed through the gateway of infancy only because that was the sole means of becoming perfectly man.
      The evangelists were not interested in Jesus because he was little, not drawn toward him in sympathy because he was helpless, but already dealt with him reverently because he was king and worshiped him because he was Christ, the Lord.
      No stringed instrument, was ever constructed in such perfection that it would not flat by use, and, however much we may say of that still finer instrument we call the human conscience, that, too, flats by use. It is forever sagging below the key to which it is naturally pitched, and requiring the Christmas love and awakening to stiffen it up again. We learn during the year to do wrong without feeling the wrong of it, and that means that our deeds are likely to determine our conscience rather more than our conscience to determine our deeds. Men never trust their watches when they are out of order, and do not even take care to celebrate Christmas in the Christlike sense in order that they may set their consciences right again.
      There is a great deal of love in the world, and its amount is increased by the tokens which it annually makes of itself, exactly as river beds are deepened by the very currents which slip over them and plow their way through them. But just as it is a fact that in the middle of the day we forget the sun because the light which it sheds fills the world so full of brightness as to chase from our minds thoughts of the sun itself that the brightness springs from, so are Christmas days crowded with the interchange of love tokens that it is surprisingly easy, right at Christmas, to forget him whose presence in the world for eighteen hundred years has done so much to soften human hearts. My message on this Christmas, so near to the end of the century, is to remember Jesus even at this season as the Christ and King and not as the Bethlehem infant, to key our consciences each recurring Christmas and oftener by his precepts, and not to forget, least of all at Christmas time, to try to foster a love for one who first of all loved us. Dr. Charles H. Parkhurst, Reformer, 1898

Wednesday, July 31, 2013

How Are Glass Ornaments Made?

      A bauble is a spherical decoration that is commonly used to adorn Christmas trees. The bauble is one of the most popular Christmas ornament designs, and they have been in production since 1847. Baubles can have various designs on them, from "baby's first Christmas," to a favorite sports team. Many are plain, being simply a shiny sphere of a single color.
Old photograph of homes in Lauscha, Germany.
      The first decorated trees were adorned with apples, strings of popcorn, white candy canes and pastries in the shapes of stars, hearts and flowers. Glass baubles were first made in Lauscha, Germany, by Hans Greiner who produced garlands of glass beads similar to the popcorn strands and tin figures that could be hung on trees. The popularity of these decorations grew into the production of glass figures made by highly skilled artisans with clay molds.
      The artisans heated a glass tube over a flame, then inserted the tube into a clay mold, blowing the heated glass to expand into the shape of the mold. The original ornaments were only in the shape of fruits and nuts.
      After the glass cooled, a silver nitrate solution was swirled into it, a silvering technique developed in the 1850s by Justus von Liebig. After the nitrate solution dried, the ornament was hand-painted and topped with a cap and hook.
      Other glassblowers in Lauscha recognized the growing popularity of Christmas baubles and began producing them in a wide range of designs. Soon, the whole of Germany began buying Christmas glassware from Lauscha. On Christmas Eve 1832, a young Queen Victoria wrote about her delight at having a tree, hung with lights, ornaments, and presents placed round it. In the 1840s, after a picture of Victoria's Christmas tree was shown in a London newspaper decorated with glass ornaments and baubles from her husband Prince Albert's native Germany, Lauscha began exporting its products throughout Europe.
      In the 1880s, American F. W. Woolworth discovered Lauscha's baubles during a visit to Germany. He made a fortune by importing the German glass ornaments to the U.S.A.
A Woolworths company store is pictured here,
Westminster and Dorrance streets, Providence, R.I. in the 1930s or 1940s
      The first American-made glass ornaments were created by William DeMuth in New York in 1870. In 1880, Woolworth's began selling Lauscha glass ornaments. Other stores began selling Christmas ornaments by the late 19th century and by 1910, Woolworth's had gone national with over 1000 stores bringing Christmas ornaments across America. New suppliers popped up everywhere including Dresden die-cut fiberboard ornaments which were popular among families with small children.
By the 20th century, Woolworth's had imported 200,000 ornaments and topped $25 million in sales from Christmas decorations alone. As of 2009, the Christmas decoration industry ranks second to gifts in seasonal sales. Gloria Duchin, Inc., just one of the industry's Christmas ornament manufacturers and designers today, has over 100 million ornaments in circulation and produces millions of new ornaments each year.
      After World War II, the East German government turned most of Lauscha's glassworks into state-owned entities, and production of baubles in Lauscha ceased. After the Berlin Wall came down, most of the firms were reestablished as private companies. As of 2009, there are still about 20 small glass-blowing firms active in Lauscha that produce baubles. One of the producers is Krebs Glas Lauscha, part of the Krebs family which is now one of the largest producers of glass ornaments worldwide.
      Although glass baubles are still produced, baubles are now frequently made from plastic and available worldwide in a huge variety of shapes, colors and designs. There is a large number of manufactures producing sophisticated Christmas glass ornaments in Poland.
Birth of a Bauble, Modern Mechanix, 1941
      In it's first year of operation, the world’s only mass-production factory for manufacturing glass Christmas-tree ornaments, the Wellsboro, Pa., plant of the Corning Glass Works, has turned out more than half of all the new decorations which will bedeck American trees this season. At the rate of 400 a minute—approximately 2,000,000 a week—the brightly colored globes have been pouring from the production line. Six months of intensive work by Corning engineers made possible the ingenious machines which turn a pound of glass into thirty average-size ornaments. A ribbon of molten glass enters one end of the production line and a steady stream of bulbs which have been shaped, silvered inside, and tinted outside, comes out at the other end. One hundred and eighty different sizes, styles, and colors are produced at the Wellsboro plant. Formerly, most of our glass Christmas-tree decorations came from central Europe, where families of craftsmen formed and tinted them by hand. Machine methods not only speed up production but are said to turn out more uniform globes.
Left, This control room feeds air and gas to the tank furnace of the Wellsboro, Pa., plant of the Corning Glass Works, where a mixture of sand, soda ash, and lime is turned into dainty bubbles of glass to adorn America’s Christmas trees. Right, Down a hopper into the furnace come the carefully mixed ingredients. It takes about three weeks to change a batch of the raw material into usable glass, which is of almost the same kind as that used for electric – light bulbs.
Middle, From time to time, a sample of glass is taken out of the furnace for testing. Just as an expert candy maker con tell when candy is ready to take from the stove, so a skilled glass worker can judge the quality of his gloss by eye. The viscosity shows when the glass is ready for use. Far Right, New material is added little by little until about thirty-five tons of glass has been prepared. Guarded by steel shields from the 2,800-degree heat, a workman pushes the finely ground mixture onto the molten mass.
Left, Shielding his eyes from the blinding glare of the flames with a window of dark glass, a workman peers through an opening in the furnace, whose heat reproduces in miniature the conditions on the sun. Right, Streaming from the furnace, molten glass enters the “ribbon machine,” which carries it along between rollers like a moving ribbon. This machine is also used in the manufacture of electric-light bulbs.
Left, As the ribbon goes along horizontally, clinging to the underside of a moving belt, puffs of compressed air blow through it from above to form bubbles that grow in size until each is plucked off between the halves of a mold moving up to meet it. Right, Clamped inside the mold, the bubble of glass is blown up to the desired shape. In the picture below, one of the molds has been opened to show how the glass sphere is formed with its neck attached. Molds are changed to make ornaments of any type.
Left, Asbestos “hands” on this rotary transfer mechanism take the hot, shaped bulbs from the molds of the ribbon machine. Then, turning from a horizontal to a vertical position, they lay them on a belt … Right, … which carries them to the “lehr” for cooling. It takes the globes about twenty minutes to pass through this forty-foot machine, where the temperature is lowered gradually to prevent strains.
Left, Emerging from the lehr, the bulbs are carried by a moving belt past girls who remove broken pieces. At this stage, the clear glass spheres resemble soap bubbles floating on a stream of water. A pound of glass makes thirty average-size globes. Right, These girl inspectors are examining the globes for imperfections. Modern machine methods used at the Corning plant not only permit greater speed of production, but also turn out stronger and much more uniform ornaments.
Left, Picking up bulbs at random from the moving belt, this inspector holds them against the polariscope, in which polarized light reveals any strains created in cooling. Right, Another type of polarized-light testing instrument is seen below. When a bulb is held up in front of the lighted screen, telltale iridescent patterns show lines of stress or tension which might make it break easily.
Left, Here girls are putting the bulbs on racks in a machine for silvering and coloring. First, chemicals are sprayed up through the necks to give a mirror-like surface inside. . . Right, … then the racks pass through the dye vats where baths of brilliant color give them the outer tints of red, blue, green, gold, and silver that add sparkle to trees on Christmas Day.
Left, After, the dye has been dried quickly by heat, the necks are cut off by an automatic machine. Occasionally, however, one of the bulbs gets by the machine. It is the job of this girl to catch such strays and cut off their necks by hand on a Carborundum wheel. Right, At the end of the long production line, the globes are sorted and broken ones are removed. Now they are packed in partitioned cardboard boxes.
Above, Enough ornaments to cover a whole forest of Christmas trees are contained in these cartons stacked in a warehouse awaiting shipment. Two million are turned out every week.
Antique glass baubles.

Vintage glass ornaments.

More About Christmas Baubles:

Saturday, July 27, 2013

The Sound of Music

The Sound of Music is one of those films that my family watches every Christmas but is not specifically about the holiday. 

The movie poster.
      The Sound of Music is a 1965 American musical film directed by Robert Wise and starring Julie Andrews and Christopher Plummer. The film is based on the Broadway musical The Sound of Music, with songs written by Richard Rodgers and Oscar Hammerstein II, the musical book written by the writing team of Howard Lindsay and Russel Crouse, and the screenplay written by Ernest Lehman. Based on the book The Story of the Trapp Family Singers by Maria von Trapp, the film is about a young woman who leaves an Austrian convent to become a governess to the seven children of a naval officer widower. The Sound of Music contains several popular songs, including "Edelweiss", "My Favorite Things", "Climb Ev'ry Mountain", "Do-Re-Mi", "Sixteen Going on Seventeen", "The Lonely Goatherd", and the title song, "The Sound of Music".
      The Sound of Music was filmed on location in Salzburg, Austria; the state of Bavaria in Germany; and at the 20th Century Fox studios in California, United States. It was photographed in 70mm Todd-AO format by Ted D. McCord. The film won a total of five Academy Awards including Best Picture and displaced Gone with the Wind as the highest-grossing film of all-time. The cast album was also nominated for a Grammy Award for Album of the Year.
      In 2001, the United States Library of Congress selected the film for preservation in the National Film Registry as it was deemed "culturally, historically, or aesthetically significant". Read more . . . 

More Links to The Sound of Music:
More Links to the Von Trapp Family:

The Many Hazards of Christmas

      The dangers of fire at Christmas is nothing to make light of in reality. However, sometimes one reads things that simply present themselves quite innocently and can not help but wonder at the irony of it all. Had the Chief Deputy known what we know today, he might have flipped his lid after some degree of reflection.

This ad first appeared in
The Alliance Herald
in Butte County, Neb.,
December 12, 1912
 Help To Stop The Holiday Fires, 1912

      Christmas will soon be celebrated by the people of this state and the Christmas tree and public entertainments in crowded churches and halls and homes will be used to embellish the occasion.
      In order that nothing will occur to mar the occasion and cause a Life Time of Regrets, I earnestly urge those having these matters in charge to observe the following rules:
      Do not decorate your Christmas tree with paper, cotton, celluloid or any other inflammable material. Use metallic tinsel and other non-flammable decorations only, and set the tree securely so that it cannot tip over. Do not use cotton to represent snow; if you must have snow use asbestos fiber.
      If there is any other possible way to light the tree do not use candles. The tree itself is very inflammable and will burn when the needles become dry. Where electric lights can be obtained small bulbs of different colors can be strung around over the tree but this work should only be done by some one thoroughly understanding electricity. Large lamps with reflectors so arranged as to throw the light on the tree will give the tree a beautiful appearance and will not endanger the lives of those in attendance. Do not permit Santa Clause to wear an inflammable beard or wig. Usually the presents that are placed upon the Christmas trees are done up in tissue paper that is very inflammable and Flaxen Haired Dolls and Teddy Bears and such presents inflammable and a spark from one of the little candles is liable to start a fire and there is always some one present ready to scream and yell "FIRE", and the the trouble takes place: a rush is made for the door and there are enough grown people in the audience to trample the life out of the little children who are present and who are filled with expectancy at receiving the gifts that are on the tree but instead of receiving a present they are liable to receive either painful or fatal injuries and an occasion of merriment will be turned into mourning. All aisles and exits should be kept absolutely clear so that if an accident should happen all of the occupants can retire from the building quickly and uninjured.
      I hope the bulletins I have issued have implanted in the minds of those who will have these entertainments in charge a determination to prevent injury and loss of life of all those who attend these Christmas entertainments. 

Very truly yours, 
C. A. Randall,